When Conny died at the age of only 47, his son Stephan was just 13 years old. Twenty-five years later, together with co-director Reto Caduff, he went in search of the man he often only experienced behind the mixing desk as a child. At the same time it became the search for the artistic legacy of his father.
Despondent over his lovelife, Swedish director Patrik Eriksson decides to chronicle his existential crisis, with the aid of co-workers, via cell-phone video camera.
