Jan Kotva

In an unusual, apolitical approach, director Jaromil Jires has fashioned a standard drama that features an older lawyer with failing health who goes to practice in the countryside. His series of odd court cases reveals more about the human condition than about law. In one of these litigations a wayward nephew has cheated his elderly aunt out of her savings. In court, the nephew insists the money was a gift, but his aunt explains she only gave him the money as a loan. Although the lawyer technically wins the case, everything of value seems lost in the meantime. His services are paid for in rabbits because the aunt has no currency, and in the end, the nephew cons his aunt into parting with her savings anyway. Other cases expose similar types of petty corruption.

Good-looking Edita Beningerová (Jana Brejchová) arrives at a chemical factory in the North Bohemian town of Ústí nad Labem together with her young assistant Nada (Zlata Adamovská). She is hoping that her ex-husband, outstanding practical chemical engineer Vik Panc (Eduard Cupák), will help her conduct an experiment to validate her proposed theoretical method of isolating cholesterol from lanolin. The success of Edita's invention is crucial for her career at the Prague Institute of Chemistry. Vik's roommate from his hostel Bréta (Ivan Vyskocil) is thrilled. He will finally meet the mysterious and fascinating Edita about whom he has learned so much from Vik.

Прославленный американский сыщик Ник Картер прибывает в Прагу, чтобы расследовать таинственное исчезновение в семье графини Тумовой. В компании с грубоватым комиссаром пражского угрозыска Ледвиной, Картер выходит на след злодея вырастившего огромный плотоядный цветок Аделу, которым совсем не прочь побаловать свое прожорливое растение не только домашними животными, но и человечиной.

Прославленный американский сыщик Ник Картер прибывает в Прагу, чтобы расследовать таинственное исчезновение в семье графини Тумовой. В компании с грубоватым комиссаром пражского угрозыска Ледвиной, Картер выходит на след злодея вырастившего огромный плотоядный цветок Аделу, которым совсем не прочь побаловать свое прожорливое растение не только домашними животными, но и человечиной.

Группа упёртых затаившихся нацистов в далёком будущем 1997-м бандитски подкупила водителя туристической машины времени с целью вывоза в 1944-й музейного экспоната — портативной водородной бомбы — на предмет подарить Гитлеру.. водитель машины, собираясь утром на работу, подавился рогаликом и скончался скоропостижно, а его место занял добрый, но завистливый брат-близнец, о низких замыслах фашистов ничего не подозревающий…

The life of the famous French writer Alexander Dumas the Elder. Screenwriter Jaroslav Dietl did not hide his admiration for this literary giant, and in addition to the screenplay he also wrote a three-part TV play about Dumas (starring Vladimír Menšík). In Kachyn's film, Dumas played the father and son of the Štěpánková brothers, and it was a very difficult and difficult task for these young actors.

In 1900, Stepha, the vivacious 30 year old daughter of a wealthy couple, agrees to marry her cousin Paul, who has accumulated large debts as an Austrian army officer. Paul refuses to work or to consummate the marriage, and then his health steadily declines.

Detective Lieutenant Boruvka (Lubomír Lipský) is called to the State Scientific Library to investigate the loss of a precious manuscript, the Infernal Psalter of the Occult Sciences by Master Peregrinus from the eleventh century, written in a secret script which has only recently been deciphered by senior lecturer Zajíc (Josef Chvalina). Chaos is reigning in the labyrinth of passages and halls of the former monastery where the library is housed. In order to save space the director of the library has introduced a peculiar system. The books are arranged in the bookcases according to height and six girls dressed in black, the library assistants, are quite happy to cut volumes down to size in case of need. Boruvka refuses the case, since he is specialist in murders. He has to return to the investigation, however, when senior lecturer Zajíc disappears.

In the village cemetery, the funeral of a married couple - victims of a car crash - is ending. The relatives unscrupulously take away the facilities of the dead people's little cottage, totally ignorant of the fate of eight-year old Ruda, whom the childless couple took from a children's home and adopted. Fortunately, an elderly lonesome uncle named Tony remains in the empty cottage and decides to take care of the boy, nicknamed Münchie after Baron Münchhausen for his wild imagination.

It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.

Surly solitary truck driver is given an assistant for his daily rounds: a young woman with a fondness for mini-skirts and boys, fresh out of prison.

The exemplary accountant Antonín Safránek lives his orderly life as a citizen of a small town. His wife Eliska brings up their three children and desperately tries to get by on her husband's low salary every month. At the same time, she sadly watches the luxurious life of their neighbor and other people like him who have no qualms about improving their standard of living by cheating. One day, the infallible Safránek makes a mistake in the cash clearance and there are nine one-hundred Crown bills left in the safe. An unexpected company control carried out the next day passes without problems and the account is closed. The temptation is too strong. The insufficient control enables Safránek to gradually steal one million Crowns.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.