Sigitas Motoras

Фильмы

Energy Island
Sound Recordist
Energy Island invites viewers for an immersive sensorial trip into the Ignalina Nuclear Power Plant in Lithuania, now undergoing a decommissioning process. The images of contaminated ruins transform in the fire, light and shadow; the destruction of the industrial space consistently reveals how Cold War energy structures impact recent geopolitical processes and leave planetary threats over long periods of time. The project takes a geological approach – it reads things that compose this flat landscape as a stack of stratigraphic layers. The man­made space is understood as a sedimentary process and the infrastructures, as well as the mineral resources, are assessed as the key parameters defining a development of the project.
Крепость спящих бабочек
Boom Operator
Главная героиня литовской картины — женщина средних лет по имени Моника. Ее обеспеченная и благополучная жизнь идет своим чередом, пока случайно они с мужем не сбивают машиной проститутку, которая в больнице кончает жизнь самоубийством. Чувствуя свою вину, Моника обращается в социальный приют с предложением принять у себя в загородном доме трех девушек, депортированных из Германии за проституцию. Общение с этими девушками меняет мироощущение Моники.
Revisiting Solaris
Sound
The astronaut Chris Kelvin receives a visit from a woman who is a double of his dead wife. This story, told in Stanislaw Lem’s eponymous novel, was once adapted into the film Solaris by the legendary Russian film director Andrei Tarkovsky. According to Deimantas Narkevičius, Tarkovsky was not as critical of the increasing impact of electronic media on relationships and on the complex nature of human memory as Lem, the original author of the story. In this video, the actor Donatas Banionis reappears in his role as Kelvin, forty years after Tarkovsky’s film was shot. Revisiting Solaris is based on the last chapter of Lem's book, which had been left out of Tarkovsky’s adaptation. In order to visualize the landscape of Solaris and expose complex specters of the past, Narkevičius combines the new footage and a series of photos from 1905 taken by the Lithuanian painter and composer Mykolojus Konstantinas Čiurlionis.