Carlos Pinto

Она — девушка умопомрачительной красоты, однако, ее почему-то игнорируют. Ему не нравятся женщины, но она готова заплатить, чтобы он взглянул на нее… Четыре ночи, в доме с четырьмя колоннами, находящемся на вершине утеса. Четыре ночи «войны» его и ее. Четыре ночи, чтобы оказаться лицом к лицу с невысказанным…

After the passing of one of his friends, João remember's the summer he had with his friends when he was 12 years old.

When a football agent acquires the rights of two young Mozambican players, he tries to transfer them to Benfica, his favorite club.

Two friends, Nuno (Pedro Laginha) and Flash (Miguel Borges) live together and decide to rent one room of the house in order to have more money to pay the rent. that's when they meet Carla (Maria João Bastos) who might change their lives forever.

Amo-te Teresa tells the forbidden love story of Teresa and Miguel, aged 35 and 15, respectively. Teresa is a doctor and, after a frustrated love life, she decides to abandon Lisbon and returns to her native land. Immediately, a strong attraction forms between Teresa and Miguel, a friend of her oldest son.

Two simple, unassuming, apolitical men have their lives changed forever when they find themselves hunted by agents of the ruling dictatorship.

Victim of a train accident, a man regains consciousness in the house of the woman who shared his compartment.

Remake of the 1953 original. Princess Elysa is touring Rome, and decides to get "out and about" away from her normal life. She meets with an American reporter and his photographer, who show her the sites. The reporter is initially more interested in a story than the Princess, but begins to fall for her.

Ana combines straight-on documentary technique with unexpected flights of dreamlike surrealism. The title character, played by Ana Maria Martins Guerra, is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings. Ana was impressive enough to earn an American art-house release, a rarity for independently produced Portuguese films.

Ti Miséria has a supernatural power. When Death comes to take her, she traps her in a pear tree. But without death the world doesn't work. Those whose work depend on Death, want it to be freed from the tree. It is then that Death makes a deal with Ti Miséria.