Hasan Ali Mete

Adnan is obsessed with going to his ex-wife's housewarming party. Unfortunately, he isn't invited.

The lives of three strong-willed women and a young musician cross paths in Tehran’s schizophrenic society where sex, adultery, corruption, prostitution and drugs coexist with strict religious law. In this bustling modern metropolis, avoiding prohibition has become an everyday sport and breaking taboos can be a means of personal emancipation.

After her fiancee cancels the wedding, Merlin's life changes drastically when she moves in with one of her brother's best friends.

Leberkäseland "tells the story of an atypical integration that begins in the 1960s: the Maleks come to Germany not as guest workers but as a family of dentists: reactionary teachers, down-to-earth neighbors and all-around pop music - only Leberkäse is a pleasing discovery. Latife Malek is a professor of mathematics, confessing Kemalist and women's rights activist, as well as wife and mother. Living it all at the same time is difficult even for a strong woman like her. Her life story and strokes of fate have made her hard.

A comedy about a crazy summer of young provincial guy in Berlin.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring actress and Ibo's German girlfriend, finds she's pregnant. Ibo is uncertain about fatherhood - compounded by his father's disowning him for getting a German girl pregnant - so Titzie sends him packing. He makes attempts at getting it right, but as the birth approaches, he's still not ready. In the background are three thugs in search of good tripe soup and a Capulet-Montegue feud between the kebab joint and a Greek taverna across the street. Can Ibo be the glove upon that hand?

Bob, a sympathetic young man, keeps telling women what they want to hear to have a good time. Just as he is about to marry the daughter of a very wealthy banker, her father does a little research on his future son-in-law and finds out the truth about Bob. He forces Bob to marry his daughter and behave like the perfect husband, or else... Unfortunately, Bob meets "The One" just a few days before the wedding and had also told her what she wanted to hear, all of this unbeknownst to his future wife. Then right as he's trying to extricate himself from those dilemmas, two very protective Turkish brothers of one of his past affairs are after him to take revenge for taking her virginity!

17-летний Мурат медленно осознает свой гомосексуализм. Отвергнутый в собственной семье, он ищет друзей в ночных клубах Берлина. И однажды встречает трансвестита по имени Лола, который оказывает юноше некоторую поддержку. Но стремясь в это особое сообщество, Мурат очень быстро понимает, что попал в мир без правил, где открытость перемежается сжестокостью и каждый новый день может стать последним.

The film depicts the daily life of a Kurdish German family in Hamburg. Cem, one of sons, earns his living in a slaughterhouse and has a secret love affair with a German prostitute.

Фильм разделен на три части, и в каждой из них практически на один и тот же сценарий разыгрываются довольно разные истории. Хартли пытается сказать, что среда определяет смысл слов, как бы эмоционально эти слова не звучали. Так что в Нью-Йорке, Берлине, и Токио одни и те же слова приобретают свои краски, города преломляют диалог и сквозь неоновые огни Токио и Нью-Йорка перед нами вдруг отрывается калейдоскоп вербальных взаимотношений, даже если все что происходит — это просто флирт.

Garip Bülbül is about the life story of the great bard Neşet Ertaş. Neşet Ertaş, who signed 400 records and many cassettes throughout his life, wrote many poems under the pen name "Garip". The film tells the unknowns about both the private and career life of Neşet Ertaş, who passed away in 2012.