Maj Wechselmann

Maj Wechselmann

Рождение : 1942-04-01, Copenhagen, Denmark

История

Maj Wechselmann, born 1 April 1942 in Copenhagen, is a Danish-Swedish documentary director and filmmaker, known for expressing radical social criticism in her documentaries.

Профиль

Maj Wechselmann

Фильмы

Atom Serving Humanity
Director
In 17 chapters, Wechselmann narrates about the atom bomb and nuclear power, but also about the history of resistance.
Moa Martinson - Mother of the Country
Editor
Documentary about Moa Martinson.
Moa Martinson - Mother of the Country
Screenplay
Documentary about Moa Martinson.
Moa Martinson - Mother of the Country
Director
Documentary about Moa Martinson.
My Mother
Camera Operator
Using the mother’s life and constant flight as the main thread, the film shows us a deeply religious, Jewish girl, born in the Ukraine in 1902, who died an atheist and communist in Copenhagen in 1985.
My Mother
Editor
Using the mother’s life and constant flight as the main thread, the film shows us a deeply religious, Jewish girl, born in the Ukraine in 1902, who died an atheist and communist in Copenhagen in 1985.
My Mother
Director
Using the mother’s life and constant flight as the main thread, the film shows us a deeply religious, Jewish girl, born in the Ukraine in 1902, who died an atheist and communist in Copenhagen in 1985.
Vittne till sin samtid
Writer
As an unwavering natural force, Maj Wechselmann produces at least one film a year, which is guaranteed to show troublesome connections between established power structures and maladjustments for people further down the hierarchy of society; this time through the Swedish Television photographer Claes-Göran Bjernér's fascinating fate of life. Bjernér, who reported from 23 wars in 83 countries, had his lungs injured for life in the poison gas disaster in Bhopal, India in 1984. The film begins with him almost dying several times, but miraculously returning to life. In interviews and archival photos, he shares his unique first-hand experiences of war, violence and corruption. A glowing agitation to never stop demanding responsibility for the world's tragedies.
Vittne till sin samtid
Editor
As an unwavering natural force, Maj Wechselmann produces at least one film a year, which is guaranteed to show troublesome connections between established power structures and maladjustments for people further down the hierarchy of society; this time through the Swedish Television photographer Claes-Göran Bjernér's fascinating fate of life. Bjernér, who reported from 23 wars in 83 countries, had his lungs injured for life in the poison gas disaster in Bhopal, India in 1984. The film begins with him almost dying several times, but miraculously returning to life. In interviews and archival photos, he shares his unique first-hand experiences of war, violence and corruption. A glowing agitation to never stop demanding responsibility for the world's tragedies.
Vittne till sin samtid
Director of Photography
As an unwavering natural force, Maj Wechselmann produces at least one film a year, which is guaranteed to show troublesome connections between established power structures and maladjustments for people further down the hierarchy of society; this time through the Swedish Television photographer Claes-Göran Bjernér's fascinating fate of life. Bjernér, who reported from 23 wars in 83 countries, had his lungs injured for life in the poison gas disaster in Bhopal, India in 1984. The film begins with him almost dying several times, but miraculously returning to life. In interviews and archival photos, he shares his unique first-hand experiences of war, violence and corruption. A glowing agitation to never stop demanding responsibility for the world's tragedies.
Vittne till sin samtid
Producer
As an unwavering natural force, Maj Wechselmann produces at least one film a year, which is guaranteed to show troublesome connections between established power structures and maladjustments for people further down the hierarchy of society; this time through the Swedish Television photographer Claes-Göran Bjernér's fascinating fate of life. Bjernér, who reported from 23 wars in 83 countries, had his lungs injured for life in the poison gas disaster in Bhopal, India in 1984. The film begins with him almost dying several times, but miraculously returning to life. In interviews and archival photos, he shares his unique first-hand experiences of war, violence and corruption. A glowing agitation to never stop demanding responsibility for the world's tragedies.
Vittne till sin samtid
Director
As an unwavering natural force, Maj Wechselmann produces at least one film a year, which is guaranteed to show troublesome connections between established power structures and maladjustments for people further down the hierarchy of society; this time through the Swedish Television photographer Claes-Göran Bjernér's fascinating fate of life. Bjernér, who reported from 23 wars in 83 countries, had his lungs injured for life in the poison gas disaster in Bhopal, India in 1984. The film begins with him almost dying several times, but miraculously returning to life. In interviews and archival photos, he shares his unique first-hand experiences of war, violence and corruption. A glowing agitation to never stop demanding responsibility for the world's tragedies.
You decide!
Editor
The film depicts Sudan and how international oil companies operate in the southern parts of the country. Wechselmann connects this with Swedish private savers' general ignorance of which funds have shares in the oil companies.
You decide!
Director of Photography
The film depicts Sudan and how international oil companies operate in the southern parts of the country. Wechselmann connects this with Swedish private savers' general ignorance of which funds have shares in the oil companies.
You decide!
Camera Operator
The film depicts Sudan and how international oil companies operate in the southern parts of the country. Wechselmann connects this with Swedish private savers' general ignorance of which funds have shares in the oil companies.
You decide!
Writer
The film depicts Sudan and how international oil companies operate in the southern parts of the country. Wechselmann connects this with Swedish private savers' general ignorance of which funds have shares in the oil companies.
You decide!
Producer
The film depicts Sudan and how international oil companies operate in the southern parts of the country. Wechselmann connects this with Swedish private savers' general ignorance of which funds have shares in the oil companies.
You decide!
Director
The film depicts Sudan and how international oil companies operate in the southern parts of the country. Wechselmann connects this with Swedish private savers' general ignorance of which funds have shares in the oil companies.
Ewa Rudling
Cinematography
Ewa Rudling's career as a photographer got an explosive start. She was in Paris when the student revolt began in May 1968. Ewa borrowed a camera and the pictures she took at the barricades at the Sorbonne University ended up in British The Observer. Physical and psychological abuse was part of young Ewa Rudling's everyday life. She had to take care of the little sister, but never felt any support from her mother. At the age of 19, Ewa too off for Rome. Her Nordic looks and appearance made her a model. Later she moved to New York and on the skating rink in Central Park, she met her prospective husband, Claude Duthuit, daughter's son to the artist Henri Matisse.
Ewa Rudling
Writer
Ewa Rudling's career as a photographer got an explosive start. She was in Paris when the student revolt began in May 1968. Ewa borrowed a camera and the pictures she took at the barricades at the Sorbonne University ended up in British The Observer. Physical and psychological abuse was part of young Ewa Rudling's everyday life. She had to take care of the little sister, but never felt any support from her mother. At the age of 19, Ewa too off for Rome. Her Nordic looks and appearance made her a model. Later she moved to New York and on the skating rink in Central Park, she met her prospective husband, Claude Duthuit, daughter's son to the artist Henri Matisse.
Ewa Rudling
Director
Ewa Rudling's career as a photographer got an explosive start. She was in Paris when the student revolt began in May 1968. Ewa borrowed a camera and the pictures she took at the barricades at the Sorbonne University ended up in British The Observer. Physical and psychological abuse was part of young Ewa Rudling's everyday life. She had to take care of the little sister, but never felt any support from her mother. At the age of 19, Ewa too off for Rome. Her Nordic looks and appearance made her a model. Later she moved to New York and on the skating rink in Central Park, she met her prospective husband, Claude Duthuit, daughter's son to the artist Henri Matisse.
Bang och världshistorien
Director
Det heliga landet
Screenplay
Det heliga landet
Director
Flickor på Marabou
Director
A documentary about the girls at Marabou and their work situation.
Kvinnomänniska
Director
A collage about gender roles. Collective film by Janne Brodin, Arne Hedlund, Per Lundkvist and Maj Wechselmann.