Martina Melilli

From amateur archive footage a 6 episodes film for a new collective memory, after the quarantine period.

Filming in her grandparents’ home near Padova in Italy, the director identifies a map of places belonging to their past. Antonio was born in Libya when it was an Italian colony, and he lived in Tripoli where he married Narcisa. They were suddenly forced to leave the country in 1970 just after Gaddafi’s coup. With the help of a young Libyan contacted on social media, Martina collects images of her grandparents’ “hometown” today. As they exchange pictures and chats, their relationship grows, the web allowing them to slowly overcome the physical and cultural boundaries that separate their lives, bringing the audience into a world the media has no access to.

Filming in her grandparents’ home near Padova in Italy, the director identifies a map of places belonging to their past. Antonio was born in Libya when it was an Italian colony, and he lived in Tripoli where he married Narcisa. They were suddenly forced to leave the country in 1970 just after Gaddafi’s coup. With the help of a young Libyan contacted on social media, Martina collects images of her grandparents’ “hometown” today. As they exchange pictures and chats, their relationship grows, the web allowing them to slowly overcome the physical and cultural boundaries that separate their lives, bringing the audience into a world the media has no access to.

Filming in her grandparents’ home near Padova in Italy, the director identifies a map of places belonging to their past. Antonio was born in Libya when it was an Italian colony, and he lived in Tripoli where he married Narcisa. They were suddenly forced to leave the country in 1970 just after Gaddafi’s coup. With the help of a young Libyan contacted on social media, Martina collects images of her grandparents’ “hometown” today. As they exchange pictures and chats, their relationship grows, the web allowing them to slowly overcome the physical and cultural boundaries that separate their lives, bringing the audience into a world the media has no access to.

The objects found in people’s pockets – photos, pieces of paper – tell the stories of their owners' lives, their hopes and their pasts, according to forensic scientist Dr Cristina Cattaneo. Wallets with phone numbers, school reports, university IDs and passports, boxes of medication, T-shirts of European soccer teams, rings, telephones and memories.