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Journalist and critic F. X. Feeney talks with the Coppolas about the production with specific details and interpretations of the original story.
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Francis Ford Coppola expanding his love of the film.
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More production design goodness, this time focusing not on the vehicles but on all the little details of the world; the artistry, repurposed salvage materials, tools and weapons, costuming touches, steering wheels, guitars, and more.
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Rosie Huntington-Whiteley (The Splendid Angharad), Riley Keough (Capable), Zoë Kravitz (Toast the Knowing), Abbey Lee (The Dag) and Courtney Eaton (Cheedo the Fragile) share stories about their time in Nambia, work shopping their characters, developing a sisterly bond, their personalities and costumes, and their contributions to the ensemble.
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The post-apocalyptic vehicles and war machines of Fury Road, from concept to design to full throttle, fully realized implementation. Production designer Colin Gibson and key members of the production team discuss bringing character, personality and purpose to each car and truck, and finding unique ways to surprise Miller and the audience with the high speed, high octane scrapyard fleet they managed to build from scratch.
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Tom Hardy and Charlize Theron chat about their characters, marvel at Miller's methods and praise his foresight and command, laugh and shake their heads at all they went through in the desert, and hint at just how difficult the shoot was at times. Both actors are genuinely in awe of Miller and the final film, and humbled by what he was able to achieve with what, at times, struck them as chaotic and confusing.
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Обширное введение в практические эффекты безумия "Безумный Макс: Дорога ярости", проблемы, с которыми сталкивается производственная команда и актерский состав, видение и процесс Джорджа Миллера, развитие всего, от раскадровок до сценария, сложных последовательностей погони, и многое другое. Было бы удивительно иметь аудио-комментарий режиссера или более размашистый документальный фильм, но это, безусловно, сработает... по крайней мере, до тех пор, пока Warner не объявит о неизбежном переиздании Furious Edition (или как его там исполнители решат называть), которое мы обязательно получим в ближайшем будущем.
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This 2010 interview with writer-director Guillermo del Toro, conducted by Javier Soto, explores the influence of the Spanish Gothic genre on 'The Devil's Backbone' and del Toro's 2006 Academy Award-winning feature, 'Pan's Labyrinth'.
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The making of Hellboy II: The Golden Army
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An overview of the making of Rocky Balboa (2006)
