Mikaël Barre

Vincent tells the story of Jean, a character who is a part of him, without being him. In this story Jean meets Stacey. Among the echoes of today's society the professional and private relationship of a filmmaker and an actress at work is growing. Notre Histoire is a modern tragi-comedy, a love letter to a woman, a tribute to a neighborhood victim of terrorism, a self-portrait, a social criticism, the description of a relationship between a filmmaker and an actress, in the center of which desire and urgency to work mix.

Jeanne, 17, enjoys the last days of summer before getting back to high school. One morning, with her little sister Camille, they decide to run away from the police station where they live with their father to see the ocean one last time. On the beach, Jeanne meets a young surfer. He’s handsome, she’s intrigued. Jeanne feels a strange desire invading her.

From Brazzaville to Barcelona, a journey around the world in search of unique and diverse voices with the purpose of celebrating the collective dimension of life through words, music and the movement of bodies.

December 1919. The American government deports 249 anarchists and radicals on the “Soviet Ark”. Five years later, this same ship becomes the decor of Buster Keaton’s slapstick comedy “The Navigator”.

Arnaud is looking for his place in society. Soy Libre shows his insatiable desire for freedom on a nearly ten year long quest, which brings him from Northern France to Spain to Peru. A portrait of a little brother growing bigger and bigger, through the eyes of his elder sister.

Жить как в кино — мечта миллионов людей. Когда девятилетний Самай впервые оказался в кинотеатре, его сердце было покорено навсегда. И теперь мальчик из трущоб готов на все, чтобы кино было с ним каждый день.

Men and women are dancing feverishly for a long time. The dance of bodies turns into a filmic trance, fleeing turns into running away, with braided motifs that get revived with every race. The men who don’t dance talk, recite, tell their own stories for and with the filmmakers. And be it through dancing or talking, it is by sharing work space and time, by making a film together, as a community, and by lovingly giving in to sharing, that the film operates politically. It even makes a processional samba in the streets of Sao Paulo look like a show of inalienable collective power. Carried away by this power, the film itself then seems to run away, to overrun its own limits. Somewhere between fable and document, improvisation and composition, anger and joy, all frontiers are burning. (Cyril Neyrat - FID 2021)

« In the shadows of Low Life, a secret ceremony dedicated to thirteen guardians of humanity’s common treasures, love and resistance, youth and poetry, equality and difference, insurrection and revolution. Saxifrages … These rootless plants’ windblown destiny is a soft perseverance doubled by an imperceptible intransigence, which, in time, imposes on the hardness of stones a patience that can break them. » – Saad Chakali

Fifteen young dancers of various origins and horizons. They are touring Crowd, Gisèle Vienne's dance piece on the 90s rave scene. Following them from theatre to theatre, the film documents their work as well as their strange, intimate relationships. As the line becomes blurry, the stage seems to contaminate real life – unless the opposite is happening. Little by little dance grows into a troubling journey into our nights, our parties, our loves.

Fifteen young dancers of various origins and horizons. They are touring Crowd, Gisèle Vienne's dance piece on the 90s rave scene. Following them from theatre to theatre, the film documents their work as well as their strange, intimate relationships. As the line becomes blurry, the stage seems to contaminate real life – unless the opposite is happening. Little by little dance grows into a troubling journey into our nights, our parties, our loves.

A peculiar personal journey along the shores of the Mediterranean Sea, the inland sea that bathes the beaches of three continents, passing through the port of Marseille, the Rock of Gibraltar, Algeria and Syria; an artistic and experimental collage made up of thoughts, memories and emotions.

Pablo, Zoe, Thomas and Felix, in their twenties, are attacked at the foot of their tower. Three of them survive. They try as they can to mourn the fourth and start living again.

Can a life size doll, an avatar or an artificial intelligence truly love you? Through unilateral love stories between humans and non-humans, the film explores different attempts to be in the world and draws a picture of Japan’s future.

Martin, in a last ditch hope, comes to meet Léa in Paris. They are both twenty-five and shared their first love story together. They are both now striving to mature.

Martin, in a last ditch hope, comes to meet Léa in Paris. They are both twenty-five and shared their first love story together. They are both now striving to mature.

Martin, in a last ditch hope, comes to meet Léa in Paris. They are both twenty-five and shared their first love story together. They are both now striving to mature.

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

« How much wood would a woodchuck chuck if a woodchuck could chuck wood ? » A tongue twister is a sentence with much alliterations and is complicated to pronounce. A tongue twister must be spoken quickly and repeated a few times. Langage breaks down between and meaning. This film is a linguistic game between sound and meaning and a portrait of the linguistic reality of Berkeley. Many American people recite tongue twisters in diffrent languages and/or in English as second language : German, Englsih, Arabic, Armenian, Assyrian, Mandarin, Korean, Croatian, Spanish, French, Hebrew, Japonese, Farsi, Portuguese, Tagalog, Vietnamese.

Ricky has a dream: to make Staff Benda Bilili the best band in Congo Kinshasa. Roger, a street child, more than ever wants to join these stars of the ghetto, who get around in customized tricycles. Together, they must avoid the pitfalls of the street, stay united and find the force to hope in music. For six years, from the first rehearsals to their triumph in international festivals, BENDA BILILI! (“beyond appearances”) is the story of this dream come reality.

It is the end of a meal. Eight people are gathered around a big table. They evoke the memory of a lost friend. Through the stories of each about the absentee, the character traits, the haabits or the expressions, a portrait in hollow is outlined.

Irene moves to Paris to begin a new life with her husband Jason and their two daughters, but an act of betrayal and her desire for revenge soon sends her to the brink of madness.

38 years after the events in the Luis Buñuel classic Belle du jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.

Luciano, fresh out of jail, was taken by his brother, Flórido, to serve in the home of wealthy Alfreda. He was surprised when she told him that her greatest desire was to see the Virgin Mary. Now comes this rich land owner with her sublime pretensions. Isn't it enough for her to have an Aston Martin and a Jaguar in the garage and ten different dresses per season? It was all professor Heschel's fault. Or someone else's. Anyway, to go beyond the promise is heresy. Alfreda said that she wouldn't rest until she saw the Virgin and made her some questions. Filipe Quinta, the Forger, says he has a solution. Meanwhile, Bahia, her husband, listens do music.