Editor
After all men worldwide commit suicide, Joyce becomes hopelessly addicted to the past and longs for her lost love. Looking for a way to get her boyfriend back, she comes into contact with a pseudoscientific group of women who try to manifest 'the male'. But should we want men back? Or might a world without men be better?
Original Music Composer
After all men worldwide commit suicide, Joyce becomes hopelessly addicted to the past and longs for her lost love. Looking for a way to get her boyfriend back, she comes into contact with a pseudoscientific group of women who try to manifest 'the male'. But should we want men back? Or might a world without men be better?
Writer
After all men worldwide commit suicide, Joyce becomes hopelessly addicted to the past and longs for her lost love. Looking for a way to get her boyfriend back, she comes into contact with a pseudoscientific group of women who try to manifest 'the male'. But should we want men back? Or might a world without men be better?
Director
After all men worldwide commit suicide, Joyce becomes hopelessly addicted to the past and longs for her lost love. Looking for a way to get her boyfriend back, she comes into contact with a pseudoscientific group of women who try to manifest 'the male'. But should we want men back? Or might a world without men be better?
Director
Heavyweight Kahn leaves a kickboxing tournament as the victor. He is struggling with polarisation in- and outside the ring. And he is fed up. Battle-weary, he enters a local bar somewhere. Initially, he seems to be treated with suspicion, until one of the white regulars approaches him kindly. Will this night help Kahn briefly forget his concerns about xenophobia in his career and daily life?
Editor
An Amsterdam telemarketer of Surinamese descent suffers an existential crisis of identity when he finds fortune and belonging by using a typically Dutch name to boost his sales.
Director
An Amsterdam telemarketer of Surinamese descent suffers an existential crisis of identity when he finds fortune and belonging by using a typically Dutch name to boost his sales.
Director
Polonaise tells the story of Mo, a young, dutch Moroccan, who experiences a day of bad luck and prejudices. When a dutch lynch-mob chases him throughout the city he gets trapped in a dead end street. Will Mo be able to solve his problems without getting his hands dirty?
