Shinji Ogawa

Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.

In the closing days of World War II, Japanese-American Hiromi, a girl age 16, encounters an American deserter, Bob, and a Japanese soldier, Iwabuchi, living together in a cave on a small island in Okinawa. The two men are deserters from their armies; yet both vow never to harm another human being again. Hiromi looks after the deserters until another soldier appears and the peace of the cave is shattered. It leads to the death of three of them and a fascinating mystery that isn't solved until the present day.

Shuji Tokita (Eiji Okuda) is a film director and a professor at a university. He goes through a difficult time trying to film his new movie. He believes his movies reflect his own personal expriences. A female high school student, Ritsuko (Yukino Murakami), appears in front of Shuji.

Nursing home "Yuyoso". Many lonely old people live there, including botanist Taro Makiso, a physicist, an actor, a bar mom, and a chef. Maki has spent most of his life studying botany, and has lived without regard for entertainment, drinking, women, or everything else in the world. Then came my 80th birthday. He and a young staff member go digging for wild yam and find a mysterious golden flower. It was the flower of immortality, the "Golden Flower", which was said to bloom beside the Himalayan Virgin, which he had been looking for for many years. From that day onwards, fragments of memories from his youth, which he had intentionally sealed off in order to immerse himself in botany, surged into Maki in a whirlpool.

Miho (Kaho), a high school student, refuses to approve of her widowed mother’s potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake and she drops her cell phone down a staircase. The phone is found by Tokijiro (Kazuma Sano), a boy that lives in 1912...

The capitalist Morita dreamed of making a full-dress private SM film and asked a SM writer Goro for advice. A lovely university girl was introduced to Morita by the degraded film director Yoshimoto. Orie's family had a lot of debt and was desperately in need of cash. Morita selected his basement room as a shooting studio. This was not what Orie had agreed to and she tried to resist but she was tied up naked and confined with her counterpart university boy in the cage. Orie was forced to give up human pride and become an animal. Morita and others continued to watch through the video camera from a different room. And the bizarre SM film shooting started...

Three cat burgling sisters have to go up against the police and a Chinese crime syndicate in order to rescue their kidnapped father.