Director
Abrasive, class critical, sexually loaded performance is erupting again in the 90's in self-funded venues as an assault against the resurgence of evangelical "family values" and the scapegoating of poverty. Dirty Babette Productions is a sporadic series of cabarets produced by lesbian writer/performer Christy Cameron. The emphasis is on dyke-core reading-rants and media art, transgender performance, pseudo-sex shows, and audience dress-up. The Manifesto is performed by Christy Cameron at “Dirty Babette’s Strange Attractor” (Toronto 1997).
Writer
Mixing conventional and new digital technologies, Judith Doyle also weaves a dialectic between reality and fiction linked by he casual introspection of the film's narrator, a video artist named Rebecca. Over black and white archival footage from a fifties tourism film about Wasaga Beach, Rebecca says "I videotape photographs and places that are gone."
Producer
Mixing conventional and new digital technologies, Judith Doyle also weaves a dialectic between reality and fiction linked by he casual introspection of the film's narrator, a video artist named Rebecca. Over black and white archival footage from a fifties tourism film about Wasaga Beach, Rebecca says "I videotape photographs and places that are gone."
Director
Mixing conventional and new digital technologies, Judith Doyle also weaves a dialectic between reality and fiction linked by he casual introspection of the film's narrator, a video artist named Rebecca. Over black and white archival footage from a fifties tourism film about Wasaga Beach, Rebecca says "I videotape photographs and places that are gone."
