Alejandro Castillo

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope with the aftermath as best they can. Céline desperately tries to leave the events behind her, clinging to her previous life, while Ramón repeatedly goes back to that night, trying to remember and understand what happened. Nonetheless, they both face the same key question: how to reconnect and move on together?

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope with the aftermath as best they can. Céline desperately tries to leave the events behind her, clinging to her previous life, while Ramón repeatedly goes back to that night, trying to remember and understand what happened. Nonetheless, they both face the same key question: how to reconnect and move on together?

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.

When director Iván Guarnizo's mother passes during the first days of peace talks with FARC-EP in Colombia, a door opens to explore a dark and painful past and, perhaps, find forgiveness. Iván's mother had been kidnapped by FARC-EP forces and held in captivity for 603 days. As they marched her through the jungles and mountains of the Colombian countryside, she was able to keep a diary that in great detail documented the places she was taken, her experiences and the names and descriptions of her captors.

Isra and Cheito are two brothers who have taken very different paths in life. When Isra gets released from prison and Cheito comes home after a long tour with the Marines, they both return to the island of San Fernando. The reunion of the two brothers will bring with it the memory of the violent death their father suffered when they were just boys; the need to get back on track with their lives and finally come to terms with what happened will bring them together again.

“Campo de Marte” (The Field of Mars) was in the ancient times Rome’s training arena for war. At the outskirts of Lisbon, “Campo” hosts today Europe’s largest military base. In this place military troops train fictional missions, astronomy aficionados observe the stars and a boy plays the piano for the wild deers lurking in the dark.

“Campo de Marte” (The Field of Mars) was in the ancient times Rome’s training arena for war. At the outskirts of Lisbon, “Campo” hosts today Europe’s largest military base. In this place military troops train fictional missions, astronomy aficionados observe the stars and a boy plays the piano for the wild deers lurking in the dark.

A memorable intellectual journey to rediscover Baroque music, from the handmade fabrication of a harpsichord by master luthier Titus Crijnen to the interpretation of several scores by Bach and other Baroque composers by the Spanish ensemble La Reverencia.

The Spanish Civil War (1936-1939) caused a great impression on the lives of most of the American artists of that era, so many movies were made in Hollywood about it. The final defeat of the Spanish Republic left an open wound in the hearts of those who sympathized with its cause. The eventful life of screenwriter Alvah Bessie (1904-1985), one of the Hollywood Ten, serves to analyze this sadness, the tragedy of Spain and its consequences.

The filmmaker visits the house of his ancestors with the invocation of family photographs and the voice of his parents. A journey into memory through everyday objects and spaces which seem to remain untouched by the passage of time.