Lin Chen-Chi

Completed in 1980 but unreleased until 1985.

A sociopathic beauty urges three nerdy pranksters to embark on a deranged rampage.

1. A crash leaves a man dead, and his wife badly injured. Soon, he returns as a ghost to try to take her with him. 2. A caretaker wins the lottery thanks to the saucer spirit. Things begin to go wrong when he breaks his promise to it.

Провинившуюся служанку Небесной госпожи вместе с ее возлюбленным пытаются казнить, но парочке удается сбежать в мир смертных – благодаря вовремя вставшему на их защиту стражнику. Последнего также изгоняют и он реинкарнируется в виде обычного таксиста, который впоследствии погибнет, пытаясь защитить от бандитов еще одну парочку влюбленных. Так он попадает в ад…

The childhood exploits of the 4 adolescent Hsu brothers orbit around the family's love and indulgence of their spoiled youngest son.

В центре событий бесценный нефритовый амулет, за которым охотятся самые разные воины — у каждого свои планы на сокровище, и каждый не остановится ни перед чем, чтобы его заполучить.

Первая часть закончилась на том, что Куо женился на дочери великого мастера Хуанга. Однако попытка уехать с острова Хуанга не увенчалась успехом — враги Куо ранили его учителя. Раненный, тот завещает Куо и его жене принять на время его пост вождя клана нищих…

Ti Lung is the Nameless Swordsman bent on defeating the faceless King of Swords to claim the title, and the glory, for himself. Hordes of fighters lunge from the shadows to cut down the mysterious challenger. Even a cunning seductress takes a stab at him in a revealing bath house assassination. It is said that a man's weapon reflects his utmost dreams, desires and fears. A warrior with no name and one motive has a soul as merciless as cold steel.

A brother who loves books and a sister who loves swords must face a yellow-robed warrior, the Red Python, a sinuous snake-charmer, and a silk-masked beauty (who must kill or wed the first man to see her face) before they can bring peace to their battle-addled family.

A widower forces his three beautiful daughters to work in his seedy bar and must do what they are told no matter what. The film features Lin Chen-chi who had just starred in Cleopatra Jones and the Casino of Gold.

Snake Prince (Ti Lung) is wandering with his snake buddies when he happens upon a beautiful maiden (Lin Chen-Chi) singing a prayer for rain. The song soon turns into a funky dance with the whole drought-blighted village, so the prince and his pals assume human form and join the party. The prince is so smitten with the maiden that he offers to share the snakes' river with the village if he can marry her. The villagers aren't too fond on the idea of marrying off their No. 1 babe to a snake, prince or no, but they really do need that water. (MrBooth/HKMDB)

Wang Yu plays Hsiao Chien, a con artist vagabond who uses his kung fu skills and parlor tricks to convince superstitious villagers that he can use his body as a vessel for angry gods. However, when the villagers are threatened by a hostile force, Chien must learn to use his skills to protect the innocent.

A group of down-on-their-luck robbers pull off a spectacular job - only to find themselves hunted by cops and possible betrayers! Chan Koon Tai leads the diverse pack of criminals, which also includes such Shaw Brothers luminaries as Ngok Wah, Chung Wong, Ling Yun, and a young Danny Lee in one of his first featured roles. The group pulls off the robbery in action-packed fashion, but betrayal and the relentless police end up marking the five robbers for death.

It stars David Chiang, as the taxi driver whose adventures reveal Hong Kong's verve with wit, compassion and loads of action.

Когда бывшие агенты Мэттью и Мелвин Джонсоны исчезают во время операции под прикрытием в Гонконге, Клеопатра Джонс отправляется на их поиски. С помощью местного детектива она выясняет, что исчезновение её друзей связано с опасной блондинкой, которая владеет казино в Макао и контролирует большую часть местной торговли наркотиками.

Abortion, birth control and unwed cohabitation are social issues rarely associated with 1970's Hong Kong cinema. Cohabitation not only faces them head on but does so with insight, compassion and sex!