Matouš Outrata

Съемочная группа, прибывшая в украинскую глубинку для создания документального фильма о каннибализме, сталкивается с историей Андрея Чикатило, жестокого серийного убийцы, жертвами которого стало почти пятьдесят человек. Пытаясь связаться с духом маньяка с помощью спиритической доски, герои вскоре понимают, что это была очень плохая идея…

Послужной список Филипа Маролда в полиции подпорчен, и теперь он перебивается частным сыском, выслеживая неверных мужей и жен. Во время очередного (на первый взгляд ординарного) дела, он встречает в баре красивую румынку. Слишком большой любитель женщин, чтобы даже задуматься над случайностью такой встречи, он очертя голову бросается в новую интрижку. Даже не подозревая при этом, куда она его заведет. К сожалению, три превосходных эротических сцены вырезаны из этого эротического триллера и детектива (они есть в допах). Непонятно, чем они жестче тех, которые оставлены. Похоже, Чехия хочет утвердиться в списке стран с тупой цензурой. Замечательна главная героиня. Одна из безусловно «плотских» актрис, типа Вицы Керекеш.

Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).

Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).

Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?

Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?

Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?

This documentary about the people of Blšany is seen through the eyes of Mr. Tříska, the local one-room school principal and an amateur filmmaker, creator of a movie about “the smallest community in the world with a first league soccer team.” He guides us through an eerie village marked by Communism, a hamlet awakened from its lethargy once every two weeks by a first league soccer match. “Meetings were also held in the country,” claims Tříska, “but executions and trials took place in town. A person had to be careful in the country if he didn’t want to be denounced, but when he went to the doctor he knew he wouldn’t pay for prescriptions; and the bus cost a crown fifty, not ten like today.”