Agata Rzeszewska

In 1943, a drunk cook is mistaken for a secret agent and sent on a special mission from London to Nazi-occupied Poland.

On the way to Warsaw after a crude oil fraud in southern Poland, conman Adam Deren meets singer Liza. He decides to invest his money in a venture deemed to be a failure - a small cabaret where Liza could perform.

Patients of the holiday and treatment center take part in trying to overcome the tobacco addiction by singing.

A young architect is locked up in prison. He recalls his uncompromising youth and gradual sliding into the moral swamp of compromises. He was not alone. A group of his friends, dreamers and glass house builders, accompanied him.

The main character, nicknamed "Teddy Bear" by his friends and acquaintances, is a manager of a sports club in Poland. One day he is detained at the border just as his sport team is off to a tournament. It appears that somebody has torn out a few pages from his passport. It occurs to him that perhaps his ex-wife has done it in order to get her hands on their joint account in a London bank. Therefore, he has to get to London as soon as possible in order to transfer the money to a different bank. The solution is taking part in a movie, made by his friend. The script requires a double role, thus the search for another actor is announced. The double has to apply for the passport, and that is solved through a girlfriend who agrees to play the dope's new fiancée. At the engagement party he is slipped a drug, and Teddy Bear runs off to the airport with the false passport. On the plane, however, he meets his ex-wife...

Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.