Jordi Niubò

When the mother of two adoptees is tipped off about the possible affair her husband may be having with one of their children, her sense of duty takes a macabre turn.

It's spring 1939. The bishop in Banska Bystrica finds out that in the village of Piargy, that was buried by an avalanche a few days ago, the Antichrist was born. The bishop calls on priest Balaz and asks him to investigate the statements of Johanka, the only survivor of the catastrophe. Balaz wants to know what exactly happened in Piargy.

Молодая супружеская пара снимает дом на солнечном итальянском острове, однако их ожидания не оправдываются. Оказывается, что бассейн в саду не работает. Анна и Адам, не зная о том, что весь остров страдает от нехватки воды, вызывают рабочего, чтобы он починил бассейн. Постоянное присутствие незнакомца вызывает чувство тревожности, а когда события принимают крайне нежелательный оборот, их отношения оказываются у критической точки.

One day, teenager Magda offers her expensive necklace to a sick child in the hospital she volunteers for- her father is certain she is lying again. When she proves her innocence, he is ashamed and guilty but also incapable of admitting he was wrong. Relationships are now broken and in chaos, and past decisions have an irreversible outcome.

Rouzbeh arrives in Prague, far from his troubled family life in Tehran, to research his father’s past. Visiting the flat where his father, a communist expatriate, lived 50 years ago, in the times of Czechoslovakia, he is stopped by a policewoman investigating a recent accident. The current resident of the flat, Vladimir, who turns out to be Rouzbeh’s half-brother, has fallen out the window. Discovering hidden corners of Vladimir’s life and getting closer to his soul, Rouzbeh learns a shocking truth about his father, totally contradicting the image of a hero he had about him. This puts him on the path which led to Vladimir's fall from the window.

A thrilling court drama based on the novel "The Anti-Execution Squad" of the Olomouc-based author Petr Ritter. On the eve of the Velvet Revolution, the final trial of the accused of brutal murder is being conducted. The threat of a death sentence hovers over him. The court recorder follows the process through the prism of the uniqueness of human life, and is the only one who raises the question of guilt, justice and appropriate punishment. It will be up to him to try to convince the judge of his opinion. In the end, the viewer will be confronted with a surprising resolution of the whole drama. The catharsis of the story forces the viewers to interpret the court decision themselves.

The film chronicles the events of a village on the Czech-Austrian border from the 1930s to 1950s, where genocide occurred due to fallout between German citizens and Czechs who collaborated with the Nazi regime during the war.

Когда человек по имени Орослан умирает, новость об этом быстро распространяется по маленькой деревне. Вызванные скорбью действия превращаются в слова, а слова — в истории. Это первый игровой фильм документалиста Матьяжа Иванишина, для стиля которого характерна работа с разрывами и диссонансами в повествовании.

The film's protagonists get an opportunity to make a wish. Consequently, their lives take the path they themselves ordained. Several "coincidences" bring them everything they wanted and they have the chance to experience their wishes. We are not only responsible in our lives for everything that we do, but also for everything we say, we think and desire.

Pavel Abrahám’s football documentary offers 22 different viewpoints of who is watching. At a match between Sparta and Slavia, the filmmakers used 22 cameras to film the spontaneous reactions of various visitors, fans, tourists, VIPs, intellectuals, and security guards over the course of the entire game. This experiment with the Czech Republic’s national sport shows football as a game around which the viewers create a whole range of other, highly diverse games.

Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?

Adolescence is always a difficult time; it is doubly so for Gábina. For one thing, she is growing up in the normalization years of the 1970s, and then she also has to face the reality that her father is a well-known actor disavowed by the regime. Although he abandoned the family years before, his existence casts an ominous shadow over the lives of not only Gábina, but also her older sister and mother, who are trying to find a civilized way through the social mire of the times.