Tommaso Donati

The rehearsal of a future play. Through the movement of the body, the protagonists form a structure full of tension and try to evoke past stories.

The rehearsal of a future play. Through the movement of the body, the protagonists form a structure full of tension and try to evoke past stories.

The rehearsal of a future play. Through the movement of the body, the protagonists form a structure full of tension and try to evoke past stories.

The rehearsal of a future play. Through the movement of the body, the protagonists form a structure full of tension and try to evoke past stories.

The rehearsal of a future play. Through the movement of the body, the protagonists form a structure full of tension and try to evoke past stories.

"The Age of Genius" enters a place where form is mixed with lyricism and the magic of body movements and gazes. The eyes are filled with wonder and reveal themselves as a metaphor for a society that wishes to become children again. The protagonists' exercises lean towards theatricality and imagination. The walls of this space thus become witnesses of these gestures, of these endlessly repeated attempts to finally reach maturity.

"The Age of Genius" enters a place where form is mixed with lyricism and the magic of body movements and gazes. The eyes are filled with wonder and reveal themselves as a metaphor for a society that wishes to become children again. The protagonists' exercises lean towards theatricality and imagination. The walls of this space thus become witnesses of these gestures, of these endlessly repeated attempts to finally reach maturity.

"The Age of Genius" enters a place where form is mixed with lyricism and the magic of body movements and gazes. The eyes are filled with wonder and reveal themselves as a metaphor for a society that wishes to become children again. The protagonists' exercises lean towards theatricality and imagination. The walls of this space thus become witnesses of these gestures, of these endlessly repeated attempts to finally reach maturity.

"The Age of Genius" enters a place where form is mixed with lyricism and the magic of body movements and gazes. The eyes are filled with wonder and reveal themselves as a metaphor for a society that wishes to become children again. The protagonists' exercises lean towards theatricality and imagination. The walls of this space thus become witnesses of these gestures, of these endlessly repeated attempts to finally reach maturity.

Until the beginning of the 20th century in France, the game of hide and seek was called "cligne-musette". In a winter landscape, the film follows five kids and a young man who wanders alone between the desolate buildings of the Valibout neighbourhood, located in the province town of Plaisir. They will not cross paths but seem destined to meet the same fate, that of being abandoned to themselves; to hide and not to be found.

Until the beginning of the 20th century in France, the game of hide and seek was called "cligne-musette". In a winter landscape, the film follows five kids and a young man who wanders alone between the desolate buildings of the Valibout neighbourhood, located in the province town of Plaisir. They will not cross paths but seem destined to meet the same fate, that of being abandoned to themselves; to hide and not to be found.

Until the beginning of the 20th century in France, the game of hide and seek was called "cligne-musette". In a winter landscape, the film follows five kids and a young man who wanders alone between the desolate buildings of the Valibout neighbourhood, located in the province town of Plaisir. They will not cross paths but seem destined to meet the same fate, that of being abandoned to themselves; to hide and not to be found.

Until the beginning of the 20th century in France, the game of hide and seek was called "cligne-musette". In a winter landscape, the film follows five kids and a young man who wanders alone between the desolate buildings of the Valibout neighbourhood, located in the province town of Plaisir. They will not cross paths but seem destined to meet the same fate, that of being abandoned to themselves; to hide and not to be found.

Until the beginning of the 20th century in France, the game of hide and seek was called "cligne-musette". In a winter landscape, the film follows five kids and a young man who wanders alone between the desolate buildings of the Valibout neighbourhood, located in the province town of Plaisir. They will not cross paths but seem destined to meet the same fate, that of being abandoned to themselves; to hide and not to be found.

Patrice is an inmate in the french prison Bois d’Arcy. As an actor and at the same time a silent spectator he hides his drama through a routine of daily gestures and ambiguous postures.

Patrice is an inmate in the french prison Bois d’Arcy. As an actor and at the same time a silent spectator he hides his drama through a routine of daily gestures and ambiguous postures.

This short documentary captures life in Filippa di Mesoraca, a little village in Calabria in southern Italy. Inspired by the migration of young people to the cities of the north, "Grigio. Terra bruciata" ("Burnt. Land of Fire") tells about what's left in the village and how the older people live the last years of their life. Just like elderly faces ravaged by time, the walls of the unfinished houses decay slowly, returning to nature. This film is about a place that transformed alongside the people who live there.

Monte Amiata is a residential complex in the Gallaratese neighbourhood in Milan, designed by architects Carlo Aymonino and Aldo Rossi at the end of the 1960s. It was created with the intention of representing a parallel microcosm, a sort of alternative city of the future. In referring to its unusual colour and shape, its inhabitants call it the red dinosaur.

Monte Amiata is a residential complex in the Gallaratese neighbourhood in Milan, designed by architects Carlo Aymonino and Aldo Rossi at the end of the 1960s. It was created with the intention of representing a parallel microcosm, a sort of alternative city of the future. In referring to its unusual colour and shape, its inhabitants call it the red dinosaur.

Monte Amiata is a residential complex in the Gallaratese neighbourhood in Milan, designed by architects Carlo Aymonino and Aldo Rossi at the end of the 1960s. It was created with the intention of representing a parallel microcosm, a sort of alternative city of the future. In referring to its unusual colour and shape, its inhabitants call it the red dinosaur.

A Somali migrant seeks refuge in the underground of a building near the Swiss-Italian border. A popular song from his country awakens in him the desire to leave.