Ismail Fahmi Lubis

Through first person narration, Tari reveals personal stories related to her decision to work in Taiwan, her strained family relationships, the risks involved in working abroad and the traps she has fallen into.

Help Is On The Way brings to the screen a busy training centre in Indonesia, that prepares women to work overseas as domestic workers. It is at times an emotional journey, but also funny, enlightening and a little competitive, offering a unique insight into a lifestyle not often seen on screen.

The film tells a story of a Tarling Dangdut songwriter who loves being promiscuous but trying to serve an order to write religious Tarling dangdut song.

The film tells a story of a Tarling Dangdut songwriter who loves being promiscuous but trying to serve an order to write religious Tarling dangdut song.

The film tells a story of a Tarling Dangdut songwriter who loves being promiscuous but trying to serve an order to write religious Tarling dangdut song.

The film tells a story of a Tarling Dangdut songwriter who loves being promiscuous but trying to serve an order to write religious Tarling dangdut song.

Masked Monkey opens as a classic, romantic nature film - but this quickly changes when a monkey playing in the wild is captured and the scene shifts to hectic Jakarta. Street artists use monkeys in the most incredible shows.

Masked Monkey opens as a classic, romantic nature film - but this quickly changes when a monkey playing in the wild is captured and the scene shifts to hectic Jakarta. Street artists use monkeys in the most incredible shows.

Masked Monkey opens as a classic, romantic nature film - but this quickly changes when a monkey playing in the wild is captured and the scene shifts to hectic Jakarta. Street artists use monkeys in the most incredible shows.

Masked Monkey opens as a classic, romantic nature film - but this quickly changes when a monkey playing in the wild is captured and the scene shifts to hectic Jakarta. Street artists use monkeys in the most incredible shows.

Through the eyes of grandmother Rumidjah, a poor old Christian woman living in the slums of Jakarta, we see the economical changing society of Indonesia and the influence of globalization reflected in the life of her juvenile granddaughter Tari and her sons Bakti and Dwi.

Through the adventures of an allegedly insane man named Watmo, we're brought into the abyss of a society not caring enough for its mentally challenged. One day, Bakti, one of the administrational chairpersons of the neighbourhood suggests bringing Watmo to a mental institution in the suburb. Here, Watmo must live by other people's rules; the rules of the institution. Even though the neighbors and the manager of the shelterhouse meant well, we can’t help to see that there are still many things to be done, before we can consider ourselves a compassionate society. Meanwhile, Watmo seems to decide that eventually, heaven is a state of mind.