Screenplay
Что если бы у вас была возможность построить новое общество с нуля, как бы это выглядело? Расположенный более чем в 200 км над полярным кругом, шведский шахтерский городок Кируна построен на крупнейшем в мире и самом современном тоннеле добычи железной руды, который принес значительный доход шведскому правительству.
Director
Что если бы у вас была возможность построить новое общество с нуля, как бы это выглядело? Расположенный более чем в 200 км над полярным кругом, шведский шахтерский городок Кируна построен на крупнейшем в мире и самом современном тоннеле добычи железной руды, который принес значительный доход шведскому правительству.
letuška
Vlasta and Tonda don't have much longer to live but they do have one more important task ahead of them - to find and kill the communist prosecutor who sent them to prison in the 1950s. An unusual road movie about two former political prisoners who fight for justice despite every obstacle.
Script
When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.
Director
When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.
