Pavel Jan

Zdena, a young nurse, starts her first night shift at an old people’s home and immediately faces a difficult task: she has to deal with the body of a deceased client. A gentle portrait of faltering youth and a realistic tale of an encounter with death in a blend of physically intense moments and absurd humour.

Что если бы у вас была возможность построить новое общество с нуля, как бы это выглядело? Расположенный более чем в 200 км над полярным кругом, шведский шахтерский городок Кируна построен на крупнейшем в мире и самом современном тоннеле добычи железной руды, который принес значительный доход шведскому правительству.

In a small village in the south of the Bohemian-Moravian Highlands, filmmaker Kateřina Turečková meets 16-year-old Ben, interested in learning about their newly discovered trans identity in person. Ben seeks refuge for their true feelings in cyberspace, finding moments of happiness by using green-screen technology to imagine their possible future. The film indirectly captures the (mis)understanding and (non-)acceptance Ben faces at school, its focused insight rounded out by the filmmaker’s interviews with Ben’s mother and sister, who inadvertently embody everything Ben hates about themself.

As two beach volleyball partners focus on personal matters and a championship tournament, a quirky figure disrupts their game on and off the court.

A man falls in love with a half-woman-half-phoenix who fell to Earth from the sky.

When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.