Sophia de Mello Breyner Andresen

Sophia de Mello Breyner Andresen

Рождение : 1919-11-06, Oporto, Portugal

Смерть : 2004-07-02

История

Sophia de Mello Breyner Andresen (6 November 1919 – 2 July 2004) was a Portuguese poet. She was the first Portuguese woman to receive the Camões Prize, in 1999.

Профиль

Sophia de Mello Breyner Andresen

Фильмы

O Búzio
Writer
A wandering, mad old man is followed by a child who can see the magic contained in his words and rituals.
Sophia, In Her Own Words
Herself (archive)
Using the author's personal estate, current images of places where she lived or were dear to her, and archival images of television and film; using parts of her prose and poetry always with first-person testimonies; from Porto to Lisbon, from Granja to Lagos, from the Atlantic Sea to the Mediterranean, from Greece to 25 April: the passions and disappointments of a life and work dedicated to the search for the real, freedom and justice.
Correspondences
Author
Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.
A Viagem
Writer
A couple in search of a different life, move from the city to the countryside and confront unexpected events without breaking their union.
Ma Femme Chamada Bicho
Herself
The film documents the places where the Portuguese painter Maria Helena Vieira da Silva (1908-1992), and Hungarian Arpad Szenes were born, met, and lived together, painting, and living to each other.
Sophia de Mello Breyner Andresen
Self
“I think my film represents above all the proof to those who want to understand and accept it, that poetry can’t be filmed, that it is useless to try” - João César Monteiro