Self
Two young actors are exploring the topic of representation of LGBTI people through the history of Yugoslav cinema and social circumstances that have resulted in different treatment of these characters.
Story
Set ten years on from high school drama Next to Me, this film places the former classmates in unfamiliar territory, both physical and psychological.
Writer
Set ten years on from high school drama Next to Me, this film places the former classmates in unfamiliar territory, both physical and psychological.
Director
Set ten years on from high school drama Next to Me, this film places the former classmates in unfamiliar territory, both physical and psychological.
Writer
Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.
Director
Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.
Director
Musical takes place before summer break, six months before the original movie "Next to Me' takes place. Characters are more immature and younger than in the original movie, and with their actions lead others into unpleasant situations, sometimes even hurting them. Some of them learn something from their experiences, learn how to apologize and forgive, while others don't.
Writer
Musical takes place before summer break, six months before the original movie "Next to Me' takes place. Characters are more immature and younger than in the original movie, and with their actions lead others into unpleasant situations, sometimes even hurting them. Some of them learn something from their experiences, learn how to apologize and forgive, while others don't.
Co-Writer
When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.
Editor
After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.
Writer
After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.
Screenplay
After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.
Director
After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.
Editor
Ясна — красивая девочка-подросток. Не желая примириться с жизнью в провинциальном сербском захолустье с замученной работой мамашей и постоянно больным отцом, она находится в конфликте со всеми, ведет себя дико, экспериментирует с сексом, наркотиками, и просто убивает время. Но постепенно ее отчаянный протест помогает ей примириться с болезненной реальностью.
Editor
Это история молодого человека, подающего надежды ученика средней школы, который попав под влияние идеологии неонацизма, стал болельщиком футбольного клуба Радник.
Screenplay
Это история молодого человека, подающего надежды ученика средней школы, который попав под влияние идеологии неонацизма, стал болельщиком футбольного клуба Радник.
Director
Это история молодого человека, подающего надежды ученика средней школы, который попав под влияние идеологии неонацизма, стал болельщиком футбольного клуба Радник.
Editor
Trouble usually starts when the power falls into the wrong hands. That's how the book that hides an ancient evil fell to Stanislav. It does not matter whether Stanislav is a nice guy who helps old ladies cross the street, a psychopath, nerd, or a blood-thirsty young man.
Screenplay
Trouble usually starts when the power falls into the wrong hands. That's how the book that hides an ancient evil fell to Stanislav. It does not matter whether Stanislav is a nice guy who helps old ladies cross the street, a psychopath, nerd, or a blood-thirsty young man.
Director
Trouble usually starts when the power falls into the wrong hands. That's how the book that hides an ancient evil fell to Stanislav. It does not matter whether Stanislav is a nice guy who helps old ladies cross the street, a psychopath, nerd, or a blood-thirsty young man.
