Francisco Seoane

Telma is 74 years old and has some dreams to fulfill. One of them is to reunite her daughter Lili with her first love, a Malvinas soldier with whom she exchanged letters during the 1982 war. Telma will try to reunite them to make the promised meeting happen after 35 years.

A steel mill about to close divides a city in southern Italy. The conflict between environmentalism and labor is posed in apparently unsolvable terms. The director embarks on a contemporary drama with expositive clarity, power and good faith—history is also written in the present tense.

A steel mill about to close divides a city in southern Italy. The conflict between environmentalism and labor is posed in apparently unsolvable terms. The director embarks on a contemporary drama with expositive clarity, power and good faith—history is also written in the present tense.

50 years can be golden even though the knees hurt, even if the air isn’t the same or a layer of distress settles on one corner of the brain. The protagonist reflects on his fifty, shoots a film about endless loves and inquires, with existential humor, into the daily struggle of living.

50 years can be golden even though the knees hurt, even if the air isn’t the same or a layer of distress settles on one corner of the brain. The protagonist reflects on his fifty, shoots a film about endless loves and inquires, with existential humor, into the daily struggle of living.

In Costa Rica, Panchita has just turned 109 and hopes for a visit from two of her children: Pablo, 93 years old, and Calixto, 88 years old. Sarita, who is 93, has no hesitation in confessing her love for Denis, a young policeman. Pachito’s daughter, fearing that something may happen to her 98-year-old father, tries to prohibit him from continuing horse-riding. In Sardinia, for his 93rd birthday, Adolfo wants to fulfil his dream of flying a plane. In Okinawa, Tomi, 93 years old, cannot recover from the death of her first son. Her friend Haru, who is 98, encourages her to return to the pop group formed of the island’s grandmothers.

In Costa Rica, Panchita has just turned 109 and hopes for a visit from two of her children: Pablo, 93 years old, and Calixto, 88 years old. Sarita, who is 93, has no hesitation in confessing her love for Denis, a young policeman. Pachito’s daughter, fearing that something may happen to her 98-year-old father, tries to prohibit him from continuing horse-riding. In Sardinia, for his 93rd birthday, Adolfo wants to fulfil his dream of flying a plane. In Okinawa, Tomi, 93 years old, cannot recover from the death of her first son. Her friend Haru, who is 98, encourages her to return to the pop group formed of the island’s grandmothers.

Dr. Vladimir Roslik was born and raised in the town of San Javier, founded by Russian immigrants on the banks of the Uruguay River, and graduated as a doctor in Moscow in the late 1960s during the Cold War. He later decided to return to his small town in Uruguay to practice his profession, for which he obtained the affection and respect of the community. Vladimir Roslik was assassinated in 1984 during the dictatorship during a torture session, and it is considered the last death of the Uruguayan military dictatorship. Today, more than 36 years after his crime, it is still not known who the intellectual authors of the military operation that caused his death were. This documentary traces the life of Mary and Valery, the widow and son of Dr. Vladimir Roslik. They are currently seeking to heal a wound that is theirs, and of their community, as victims of an irrational political and ethnic persecution, under the shadow left by a law that prevented justice for the murders.

The "pasamanos" are a group of young people who transport backpacks with illegal contents from the capital to the suburbs of Buenos Aires. Paula is a "pasamanos" but she is reluctant to let her brother follow in her footsteps.

A group of girlfriends gather almost every day to sunbathe in the terrace of a building, in an age where getting the perfect tan was everything.

“The gaze navigates through the exteriors of the light and the interiors of the shadows. Through a window, light watches over bodies that the eye cannot see."

Chlorinda, neighbor to Asunción, in Paraguay, is small and full of shops, stalls and warehouses. The city converges towards the "La Fraternidad" Catwalk, forty meters of wooden bridge, which crosses a nonexistent stream-boundary.