Ralf Kirsten

Kathe Kollwitz was 47 years old, and already a well established artist in Germany and abroad when Peter, her youngest son, volunteered to join the German army in WWI and was killed two weeks later. This painful tragedy changed Kollwitz's life and art forever.

Kathe Kollwitz was 47 years old, and already a well established artist in Germany and abroad when Peter, her youngest son, volunteered to join the German army in WWI and was killed two weeks later. This painful tragedy changed Kollwitz's life and art forever.

Ten days in the life of socialist politician Clara Zetkin. In August 1932, she is summoned from Archangelskoje near Moskow to open the new legislative session because at seventy-five, she is the oldest representative in the German Reichstag. Although she is ill and almost blind, she see this as her chance to make her voice heard amid the growing Nazi influence in Germany.

Ten days in the life of socialist politician Clara Zetkin. In August 1932, she is summoned from Archangelskoje near Moskow to open the new legislative session because at seventy-five, she is the oldest representative in the German Reichstag. Although she is ill and almost blind, she see this as her chance to make her voice heard amid the growing Nazi influence in Germany.

The film tells the story of the smelter brigade of a steel mill whose members are connected by a strong comradeship. Among the workers are, for instance, young Rolf, whom everybody just calls "Lachtaube" and who always comes through for his co-workers, or the likable Hubert, who works as a simple smelter again after being dismissed as the head of the steel mill. Then, there is also the stubborn Manfred, who should have become a brigadier long ago because of his experience and his competence, but this privilege is refused to him because Manfred is not a party member. Ironically, it is Manfred who hears by accident about the plans of the mill to close down the old Martin furnaces – and to lay off the smelters. When the other men learn about the plans they enter the barricades for their jobs and force the plant′s management to face the workers′ demands and criticism.

The film tells the story of the smelter brigade of a steel mill whose members are connected by a strong comradeship. Among the workers are, for instance, young Rolf, whom everybody just calls "Lachtaube" and who always comes through for his co-workers, or the likable Hubert, who works as a simple smelter again after being dismissed as the head of the steel mill. Then, there is also the stubborn Manfred, who should have become a brigadier long ago because of his experience and his competence, but this privilege is refused to him because Manfred is not a party member. Ironically, it is Manfred who hears by accident about the plans of the mill to close down the old Martin furnaces – and to lay off the smelters. When the other men learn about the plans they enter the barricades for their jobs and force the plant′s management to face the workers′ demands and criticism.

Germany at the end of World War II: Teacher Grübler lives in a small village in the Ore Mountains together with his 15-year old son Wolfgang. At school, the dutiful Grübler, a member of the NSDAP, teaches his pupils to volunteer for military service, but when his own son volunteers for the Waffen SS, he is nevertheless shocked and fears for his boy′s life. But Wolfgang starts to hate his father for his doubts: He thinks his father is a coward. In his desperation, Grübler chains and kidnaps his son to hide him in a dugout in the forest until the end of the war. In their shelter, father and son are fighting bitterly but when the Nazis who still believe in the "Endsieg" discover their hideout, Grübler sacrifices his life to save Wolfgang.

Germany at the end of World War II: Teacher Grübler lives in a small village in the Ore Mountains together with his 15-year old son Wolfgang. At school, the dutiful Grübler, a member of the NSDAP, teaches his pupils to volunteer for military service, but when his own son volunteers for the Waffen SS, he is nevertheless shocked and fears for his boy′s life. But Wolfgang starts to hate his father for his doubts: He thinks his father is a coward. In his desperation, Grübler chains and kidnaps his son to hide him in a dugout in the forest until the end of the war. In their shelter, father and son are fighting bitterly but when the Nazis who still believe in the "Endsieg" discover their hideout, Grübler sacrifices his life to save Wolfgang.

Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame. She is a "newcomer" to the area and even after eleven years in the area, still a "stranger". A Cracow company announces that a money-collector is on his way to the innkeeper. Mr. Szulski arrives and the debts are settled - with money supposedly stemming from an inheritance. The next day, Szulski departs but according to the maid and the stable-boy, behaves in a very strange manner. Soon afterwards, his carriage is discovered in the Oder River, but there is no trace of the drowned man. Hradscheck's neighbor starts casting suspicion on the innkeeper. The Counselor of Justice, who heads the investigations has the spot under the pear tree dug out. A dead body is exhumed...

Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame. She is a "newcomer" to the area and even after eleven years in the area, still a "stranger". A Cracow company announces that a money-collector is on his way to the innkeeper. Mr. Szulski arrives and the debts are settled - with money supposedly stemming from an inheritance. The next day, Szulski departs but according to the maid and the stable-boy, behaves in a very strange manner. Soon afterwards, his carriage is discovered in the Oder River, but there is no trace of the drowned man. Hradscheck's neighbor starts casting suspicion on the innkeeper. The Counselor of Justice, who heads the investigations has the spot under the pear tree dug out. A dead body is exhumed...

Young seminary student Franziskus (Benjamin Besson) has been ceremonially ordained. He wants to escape the harshness and injustice of the world and devote himself to the service of God in the quiet seclusion of a monastery. He is also hoping to forget the beautiful lady Aurelie (Jaroslava Schallerová), whose life he saved in a flooded brook and with whom he spent an amorous night. He knows that her father would never allow her to marry him. But the devil dressed in a monk's habit and under the name Viktorin (Andrzej Kopiczynski) intervenes in Franziskus's destiny and attempts to lead him astray. To do so he first uses the diabolical elixirs kept at the monastery as a rare relic. When the young monk gets expelled from the monastery, Viktorin prepares another trap with the help of Aurelie's stepmother Euphemie (Milena Dvorská).

August 24, 1937: a day in the life of expressionist sculptor and author Ernst Barlach (Fred Düren). Barlach lives in the small town of Güstrow, keeping to himself and wanting to steer clear of politics. On this day he learns that the Nazis have dragged his famous 1927 sculpture The Hovering Angel out of the Güstrow Cathedral. Barlach begins to reflect on his life of “inner emigration” and on his work.

August 24, 1937: a day in the life of expressionist sculptor and author Ernst Barlach (Fred Düren). Barlach lives in the small town of Güstrow, keeping to himself and wanting to steer clear of politics. On this day he learns that the Nazis have dragged his famous 1927 sculpture The Hovering Angel out of the Güstrow Cathedral. Barlach begins to reflect on his life of “inner emigration” and on his work.

East German television film.

East German television film.

Film by Ralf Kirsten.

Film by Ralf Kirsten.

Hans Müller finds himself on a trip in Thüringen, accompanied by his loving female friend, Moritz. Hans doesn't understand much about trust, which constantly leads to problems between the two of them. During one of their fights, Lady Venus intervenes and sends the young man back to the Middle Ages - so he can learn the true meaning of love. Disguised as Tannhäuser, he has to stand his ground against a horde of minstrels. At a singing competition, he blunders, without the support of Moritz, who had also been thrown back into the 13th century. And with the help of Frau Venus, his adventure will surely turn out even worse...

Hans Müller finds himself on a trip in Thüringen, accompanied by his loving female friend, Moritz. Hans doesn't understand much about trust, which constantly leads to problems between the two of them. During one of their fights, Lady Venus intervenes and sends the young man back to the Middle Ages - so he can learn the true meaning of love. Disguised as Tannhäuser, he has to stand his ground against a horde of minstrels. At a singing competition, he blunders, without the support of Moritz, who had also been thrown back into the 13th century. And with the help of Frau Venus, his adventure will surely turn out even worse...

Времена мушкетов и шпаг. В Прусском королевстве не хватает солдат, Барон Фон Юббенау пытается насильно забрать в рекруты веселого, крепкого парня Александра, но он гражданин соседнего королевства. Молодой человек не так прост, он при помощи друзей умудряется не только перехитрить Барона, но и вовлечь в интриги и придворных и самого короля, да к тому же бежать с Ульрикой, дочерью знатного вельможи.

Времена мушкетов и шпаг. В Прусском королевстве не хватает солдат, Барон Фон Юббенау пытается насильно забрать в рекруты веселого, крепкого парня Александра, но он гражданин соседнего королевства. Молодой человек не так прост, он при помощи друзей умудряется не только перехитрить Барона, но и вовлечь в интриги и придворных и самого короля, да к тому же бежать с Ульрикой, дочерью знатного вельможи.

In the late fifties a large industrial complex was built near Schwedt, in the GDR. This low budget film tells about the voluntary participation of the brigades of the Freie Deutsche Jugend in the building up...

In the late fifties a large industrial complex was built near Schwedt, in the GDR. This low budget film tells about the voluntary participation of the brigades of the Freie Deutsche Jugend in the building up...

The story of the steel melter Martin Hoff, whose factory delegates him to a drama school, corresponds to the real life of the actor Manfred Krug. Like his (film) hero, Krug works as a steel melter, does artwork, sings and acts, and is sent to drama school. Like his hero, who behaves anarchically and conspicuously, Krug is soon expelled from school.

The story of the steel melter Martin Hoff, whose factory delegates him to a drama school, corresponds to the real life of the actor Manfred Krug. Like his (film) hero, Krug works as a steel melter, does artwork, sings and acts, and is sent to drama school. Like his hero, who behaves anarchically and conspicuously, Krug is soon expelled from school.

В маленьком провинциальном городке Беренбурге местные дети хотят построить большой бассейн с вышкой для прыжков в воду, однако подходящее место у водоёма завалено строительным и прочим мусором. Мэр городка обещает помочь, но денег как всегда не хватает, и поэтому строительство постоянно откладывается на неизвестный срок. За дело берётся 12-летний Гензель, собирает команду добровольцев и начинают уборку территории...

В маленьком провинциальном городке Беренбурге местные дети хотят построить большой бассейн с вышкой для прыжков в воду, однако подходящее место у водоёма завалено строительным и прочим мусором. Мэр городка обещает помочь, но денег как всегда не хватает, и поэтому строительство постоянно откладывается на неизвестный срок. За дело берётся 12-летний Гензель, собирает команду добровольцев и начинают уборку территории...

Идущий по улице молодой человек замечает трёх бегущих людей в полосатой одежде, которые тут же исчезают за углом... Короткометражный комедийный скетч трёх немецких студентов пражской студии FAMU рассказывает историю о сбежавших пациентах психиатрической клиники.

Идущий по улице молодой человек замечает трёх бегущих людей в полосатой одежде, которые тут же исчезают за углом... Короткометражный комедийный скетч трёх немецких студентов пражской студии FAMU рассказывает историю о сбежавших пациентах психиатрической клиники.