Producer
An unfinished abstract film by Florian Yuriev that the author worked on in the 1970s and was thought to be lost. The materials were found, restored and edited after Yuriev's death by director Oleksiy Radynski, preserving the original idea and visual images of Yuriev.
Editor
An unfinished abstract film by Florian Yuriev that the author worked on in the 1970s and was thought to be lost. The materials were found, restored and edited after Yuriev's death by director Oleksiy Radynski, preserving the original idea and visual images of Yuriev.
Director
An unfinished abstract film by Florian Yuriev that the author worked on in the 1970s and was thought to be lost. The materials were found, restored and edited after Yuriev's death by director Oleksiy Radynski, preserving the original idea and visual images of Yuriev.
Editor
90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Screenplay
90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Director
90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Editor
Работа Алексея Радинского, напоминающая о кинематографе Шанталь Акерман, — своего рода антитезис жанра «городской симфонии»: вместо парадных видов и картин городской жизни его камера изучает изнанку мегаполиса. Таким выглядит Киев из окна электрички — пространством железнодорожных путей, заборов и складов. Лейтмотив фильма — несколько раз возникающее в кадре «здание-тарелка», памятник советского модернизма, которому грозит перестройка в шопинг-молл.
Director
Работа Алексея Радинского, напоминающая о кинематографе Шанталь Акерман, — своего рода антитезис жанра «городской симфонии»: вместо парадных видов и картин городской жизни его камера изучает изнанку мегаполиса. Таким выглядит Киев из окна электрички — пространством железнодорожных путей, заборов и складов. Лейтмотив фильма — несколько раз возникающее в кадре «здание-тарелка», памятник советского модернизма, которому грозит перестройка в шопинг-молл.
Editor
Флориан Юрьев - архитектор, художник, скрипичный мастер, теоретик и поэт. На 90-м году жизни ему приходится осваивать еще одно совершенно новое занятие.
Screenplay
Флориан Юрьев - архитектор, художник, скрипичный мастер, теоретик и поэт. На 90-м году жизни ему приходится осваивать еще одно совершенно новое занятие.
Director
Флориан Юрьев - архитектор, художник, скрипичный мастер, теоретик и поэт. На 90-м году жизни ему приходится осваивать еще одно совершенно новое занятие.
Editor
Documentary film about sending off to the army, collected from the video archives of the Stanytsya Luganskaya Local History Museum.
Director
Documentary film about sending off to the army, collected from the video archives of the Stanytsya Luganskaya Local History Museum.
Director
The film recreates gradual transition of the society from peaceful life to the state of war. Shot in March-April 2014 in Donbass, it follows the transformation of social protest into an armed revolt, supported by covert foreign invasion. The film doesn't focus on individual stories, instead showing the mechanisms of inflaming the war that lead to the social collapse.
Producer
Steyerl’s immersive installation focuses on the making of the video game "Skyscraper: Stairway to Chaos" by the Ukrainian company Ace3D, based on Saddam Hussein’s unrealised plans to reconstruct the Tower of Babel in Babylon, the ancient capital that he began rebuilding in the 1980s.
