Endy Chow

Hassan is a Hong Kong-born Pakistani kid waiting for refugee status to Canada. His father died in a car accident that Yat is involved in, who himself was a refugee from China in the 1970s. When Hassan joins a refugees' gang and gets entangled with the police, Yat decides to help him flee, but Hassan finds out the truth about his father's death. Can their journey continue?

Anyone who has anything to do with the film industry in Hong Kong, must have heard of a film buff called Lil’ Kim. He knows everything there is to know about filmmaking. Whether it’s on the set, at the movie premiere or at a press conference, he always shows up uninvited. Nobody knows where he came from and why he showed up… Ginger Keung is the producer of a reality show who suspects Lil’ Kim is in fact a film critic who pans movies to extort advertising dollars from film companies. She zeroes in on Lil’ Kim as her next target and decides to dig into his elusive past…

Choosing between family, school and her dream, which will it be, will Fong return the school or step on the stage?

How much difference does one second make? Can it be the difference between life and death? A loser single father learns that lesson the hard way when he becomes gifted with the power of seeing one second into the future. When his ability is exposed, a boxing buff persuades him to use his power in the boxing ring. After reviving Hong Kong’s vampire genre as the co-director of Vampire Cleanup Department, Chiu Sin-hang (also the lead vocalist of local band ToNick) combines the boxing genre with a refreshing dash of fantasia in his thrilling solo directorial effort.

Принципиальный и честный гонконгский полицейский по кличке Безумец назначается на расследование убийства женщины-коллеги. Дотошный страж порядка не может найти ни одной зацепки, но, когда внезапно пропадает его невеста, тоже сотрудница полиции, становится ясно, что герою придется иметь дело с серийным убийцей.

Taking place before the hand-over of Macau back to the Center Government of China in the 1990s, the film starts off with the two main characters cautiously cleaning up a crime scene. Who did they murder? Why they have to kill that person? What will happen to them?

Восемнадцать... нет, 16 пассажиров, севших в маршрутное такси (и водитель, конечно), отправляются из Монкока в Тайпоу. Как только красная маршрутка проходит тоннель Лайон-Рок - переход с Коулуна на новые территории, - Гонконг становится городом-призраком. По прибытии в Тайпоу все, находившиеся в автобусе, начинают понимать, что что-то не так. Почему на улицах пусто? Где все? Почему на их звонки никто не отвечает? И кто эти таинственные фигуры в масках, время от времени появляющиеся перед растерянными пассажирами?

The melancholy Candy runs the Half Mortal, a trendy bar in Hong Kong. She hires Paul; Stella, a part-time employee who's a college student in psychology, trains him. He has a gift for mixing the perfect drink to fit each customer's emotional needs. His own emotions, however, are complex: his father, an alcoholic, has died recently; he's abandoned his studies; and, although he's likes Stella, he's a tyro with women and inarticulate with her. Is alcohol the key to happiness, as Paul wonders; does it simply change peoples' personality, as Stella thinks; or, is it just there, as Candy's business sense tells her? Can Paul and Stella blend into something smooth?