Julia-Maria Köhler

Four neighbors, one boss, and a fateful party. The harmony between the friendly couples Bianca/Oliver and Dila/Simon is put in danger when Oliver's boss Lars invites himself to a barbecue party. With dangerous charm and amusing intrepidity, Lars pushes the situation to such an extent that the two couples begin to question the foundations of their lives and fall into actionism. Until the pressure turns into counter-pressure and Lars himself becomes a target.

Weimar, 1921. The life of 20-year-old Lotte Brendel seems to be predetermined. Her father sees her as a future wife and mother on the side of a man who is to take over the parental carpentry business. But the idiosyncratic Lotte joins a group of young artists against the will of her family, applies at the Bauhaus and is accepted. The Weimar Bauhaus, under the direction of the visionary Walter Gropius, aspires not only to combine arts and crafts, but also to find the place for the "New Man". In the student Paul Seligmann Lotte finds a supporter and her great love.

In Dublin, Blake Lester breaks Lucy Silchester's dream by preferring an overseas TV show career move over their marriage plans since years. Receiving a mystery letter 'from her life', Lucy seeks consolation with mates Adam, Melanie, Lisa and Jamie. Angrily Lucy meets critical sender Cosmo, who urges her to set priorities among colleagues, family, friends and truth to correct her derailed life, which she finds hard to disprove by showing happiness. Lying to boss Edna costs her job. Desperate hitting rock bottom, she attempt to win successful Blake back. Her protective brother, attorney Riley, and Cosmo rather favor attractive carpet cleaner and neighborhood urchins football 'coach' Don Lockwood, who consents, yet this fails as she retracts despite good sex while he works in her apartment. Sad news about her neighbor Claire, a breakup between workaholic father Samuel and 'neglected' mother-housewife Sheila make Lucy die reconsider her own priorities.

Julianne returns to take over the vineyards of her ex-husband. The reunion between the two is tense, but the man has never stopped loving her ... and she don´t stopped to blame he for the death of her daughter.

The film starts with the main character Laura, a young woman with advanced cancer, entering quite upset the home of her parents and claiming to have stopped chemo therapy and having left her husband. The worried parents call the other three adult daughters into the house and they arrive one by one. For the first time in 6 years the entire family is united again. The characters are drawn as tensions rise from old conflicts and as the situation sinks in that Laura might be terminally ill. The movie eventually shifts from a lively sometimes comical beginning into the serious theme of dying and does handle this quite tactfully and moving. While the film touches on many areas surrounding death (including religion, graveyard, care, eutanasia) the main focus is on the transformation of the characters that are thrown out of their busy lifes into this situation, eventually accepting it and dealing with it.

A road movie, buddy picture and romance rolled into one, Low Lights pivots on a love triangle that evolves when two men and a woman take to ritual night driving. Transforming cold urban space into something charged with excitement, the drives provide the hope the trio so desperately needs.