Cosima Vellenzer

Фильмы

Ein Leben lang
Production Design
A house by the lake near Berlin: this is where former pop star Arthur Weyer, 75, and his wife Elsa, who is ten years his junior, spent many happy hours. But that is a long time ago. The couple separated four years ago - Arthur had fallen in love with a much younger woman. This relationship failed since Arthur fell ill with dementia. Despite all the bitterness, Elsa still feels responsible for Arthur and is looking for a place in a nursing home. In order to be able to finance this, the house on the lake has to be sold - but against Arthur's will. For clearing out and repairs, the two hire 45-year-old Sorin, who lives alone on a houseboat and works as a DJ. Sorin and Arthur get along great right away. First, there are violent arguments between Elsa and Sorin. But slowly Elsa and Sorin are getting closer. Suddenly things are brought up that have been repressed for years.
No
Production Designer
Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.
We Were Just Playing
Production Design
Two boys from different worlds. Of all possible times, the start of summer vacation is when 10-year-old Jona has to move away from Berlin to the German-Czech border with his mother and new stepfather. He's lonely and angry as he inspects his new surroundings. Across the border, he meets Miro, a 13-year-old Ukrainian boy. Jona is fascinated by the confident but taciturn boy, only slowly discovering the fate that's hidden behind Miro's grown-up façade.