Consuela Morávková

A story of love and honor that takes place during the mid-nineteenth century during revolutions, as well as economic, political, and social hypocrisy. Two extraordinary but lonely artists share a passionate love, as evidenced by the preserved letters that they exchanged.

The town is waking up. The bus driver Josef Král is saying goodbye to his wife Vera who is in a state of advanced pregnancy. At the rolling mill, the master craftsman Mares is preparing for retirement, which is now only two days away. Elderly Simon who grows and sells vegetables at the market has problems with his wife. Their little home has to give way to a new development but the wife Simonka refuses to move out. The chairman of the workers' council has troubles with the miner Adam, who has started drinking. He doesn't know that Adam is getting divorced and fears he may lose his young son to his wife.

Exotic, yet lyrically aimed fairy tale about a young gypsy Pista in search of a beautiful, gentle and faithful bride. An old man told him where to find a girl with those qualities, so Pista sets out on a journey to find the girl of his dreams without knowing that she is special: an hour a day human and rest of the day a chicken...

It is 1905. The police director gets Jindrich Legenda (Eduard Cupák) shadowed as, yet Legenda had served his sentence for a burglary, the jewels have not been found. Russian revolution encouraged also Czech workers to fight for their rights. Radical anarchists are followed by Legenda's friend Karel Wohryzek (Vladimír Mensík) who was forced to collaborate with the police as he was convicted of pornography distribution.

Tóna Bohácek (Pavel Landovský) has been a great worry to his mother, Mrs Bohácková (Stella Zázvorková). All his friends equal in age are already married and some of them even have children - only Tóna still has nothing. Mother Bohácková thus publishes an ad in the Lonely Hearts column on behalf of her son. From among the girls who responded, she picks out Janicka, a girl from the neighboring village, and then forces Tóna to go to have a look at her and bring her home. The date of the two young people, however, does not turn out well due to the embarrassment on both sides, and Tóna returns home drowning in the feeling of ridiculousness. On the way, he picks up hitchhiker Kveta (Regina Rázlová) from Prague. Only then, he realizes that the mother with her festive dinner is waiting for him and Janicka at home and thus asks Kveta to substitute for the girl from the ad.

The Ronov castle has been changed into a hotel, offering stylish facilities to its guests: weddings in the torture chamber, a Black Lancer kidnapping brides, a night's lodging in a family tomb etc. The reformed petty swindler Felix Pacínek (Bohumil Smída) runs the hotel. The business is far from thriving; the place is half-empty, and the jazz band Skeleton, together with their singer Zuzanka (Jaroslava Obermaierová), decide to leave. Nobody in the hotel has any idea that the band is in fact a gang of thieves who have just robbed the Prague State Bank, taking two million crowns from its vaults.

В военном гарнизоне Алкалис в день открытия памятника Иоганну Себастьяну Баху разворачиваются загадочные события. Солдат Шульц, прекрасный кларнетист, дезертирует из гарнизона при помощи молодого учителя и И.С.Баха. В тот момент, когда Шульцу угрожает опасность, ружья, направленные на него, превращаются в кларнеты. Все оружие в гарнизоне становится музыкальными инструментами. Церемония открытия памятника великому композитору превращается в музыкальное шоу.

The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an old acquaintance, in Prague. When Harold stumbles across a state-run cat-lending store, he impulsively rents a feline for the day. Later, he attempts to return the cat and finds that the store no longer exists. Now with a furry companion, Harold continues his search for Kilian. Written and directed by Pavel Juracek, this 40 minute film effectively aims its allegorical shots at personality cults and the absurdities of a totalitarian regime.

В заснеженной зимней Праге встречаются два африканских студента. Он, Омар, только что проводил возвращающегося на родину земляка; она, Марьяма, сошла с трапа самолёта, чтобы поступить в медицинский институт в незнакомой стране. Омар берётся опекать девушку, рассказывая ей о прекрасной Праге, своих чешских друзьях, увлечении музыкой… Медленно, но верно товарищеские отношения между молодыми людьми превращаются совсем в иное чувство.