Feride Çetin

Этим летом в курдском городе в Турции стоит жуткая жара. Каждый день по дороге в школу два брата из бедного района проходят мимо роскошного дома с бассейном. Несмотря на высокую стену с колючей проволокой и охрану, желанию двух сорванцов искупаться нет предела. Остается придумать хороший план.

Ruzgar is a new cool boy in the school.Deniz is the girl who he heard in the cellphone,singing.Then they fall in love with each other. Selin is Deniz's bestie will support them but,their love relationship is gonna be complicated.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

Ali and Meryem are an ordinary family on the face of it. Meryem has a child from a previous relationship with Ferit. When Ferit reappears years later, Ali puts his wife to a test of trust. While Meryem is caught between her sense of gratitude and the agony of love, Ali's self-esteem begins to crumble. Ferit's murder fans the flames of distrust between them. They are too suspicious of one another to talk. During the police questioning, they cling to one another once again. Complicity becomes the glue of trust between them. Now they are a proper family.

Riza, a garbage man becomes obsessed in her old mother when he finds a woman's corpse in a garbage can. But someday he meets with his new neighbor,a beautiful widow and starts to lose track of reality, stuck between his love and her mother.

In the course of a day in Istanbul, five individuals cross paths and change each others' lives in unexpected ways.

Symbolizing the turning point occurred in the Battle of Sakarya in Turkish-Greek War, tells one of the most moving stories.

5 friends take a road trip to visit the caves within the Gomeda valley. Little do they know that these caves are still haunted by memories of torture that took place in the past. As they get closer, one by one, their dreams turn into nightmares, their nightmares turn into hallucinations, and their hallucinations turn into reality until the line between real and surreal exists no more: The valley begins to resemble the mother's womb, and the caves begin to resemble the umbilical cord between the mother and her unborn child. The memories of torture give way to the ever-haunting presence of guilt and regret that could only be felt by a mother.

Главные героини фильма — девушки Бехие и Хандан . Они обе — студентки. Из-за яркой внешности Бехие у неё нередко происходят конфликты с консервативными родителями и братом. Хандан живёт с матерью-одиночкой, отношения с которой у неё переменчивые.