Ritajit Raychaudhuri

Sukhen, a youngman, lives a casual life. He is innocent but neglected of his family. Sukhen loves Shikha and wants to live a normal and healthy life but his brothers are corrupt as well as politically powerful, who tries to use unemployed Sukhen for their political mileage.

A clerical error at the marriage registrar’s office leads to an unexpected twist in the life of four people. Will the two couples manage to come out of this complex relationship mess emotionally unscathed?

Recalling memories of a friend who committed suicide, three lovers slowly slide into an anguish labyrinth of desire, loss and longing. They entangle in a colliding maze of forsaken loves, failed expectations and imperfect anticipations. A disintegrating web arises in which love exists, but as dispassionate yearning. Here affection is an indifferent desire that burns the soul to death.

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.