Wan Marui

Ryo Takebayashi’s film about coworkers caught in a time loop is packed with knowing winks and references to the highs and lows of corporate culture.

По всей Японии умирают люди, посмотревшие проклятое видео. Аспирантка Аяка Итидзё начинает расследование этих загадочных смертей. Тем временем страшное видео смотрит её младшая сестра...

The film consists of five films about Yamato in the post-Corona period. Tominaga's "The Fourth Eye" depicts a bewildered father who is introduced to his stepfather by his estranged daughter; Kiyohara's "The Light of March" tells the story of a woman who becomes pregnant at a young age and tries to flee the town. Takeuchi's "Makie no Bouken" (Makie's Adventure), Yamamoto's "Ano Hi, Kono Hi, Sono Hi" (Ano Hi, Kono Hi, Sono Hi), about a city employee who goes around taking video letters for people who are retiring, and Miyazaki's "Eri-chan to Kumi-chan no Long, Mundane Day" (Eri-chan to Kumi-chan no Long, Mundane Day), about two people who have too much time on their hands to bury a time capsule in a forest on the outskirts of town.

"DIVOC-12" is a project by Sony Pictures Entertainment Inc. to produce an omnibus consisting of 12 short films, aiming to enable creators, production staff, and actors affected by the coronavirus infection to continue to engage in creative activities.

Naomi, a student dropout, only believes in things he can touch. However, when he really wants to touch someone, he recoils. As is the case when he befriends Maki, a happy-go-lucky young man who lives with Midori, a blind woman who dreamily expounds about places she has never been. When Midori becomes seriously ill, Maki and Naomi send her tapes from an imaginary trip around the world. Their relationship becomes more intimate whilst recording, but they only dare engage in rough, painful horseplay. Hesitations, feints, social pressure and awkwardness colours this sensitively told tale of two young men as they become intimate with one another – a rare story of a gay relationship in Japanese indie film.

Shinichi Tsuda, a Naoki Prize winning author, is working to publish his newest story. It revolves around Tsuyama, a driver for a call girl business in Toyama Prefecture, who comes across a mysterious counterfeit bill and has his life targeted by underworld kingpin Kurata. Is his story fact or fiction? His editor, Nahomi Torikai, decides to verify whether his latest work is mere fiction based on real-life experiences. She looks into a family that vanished, a post office worker who went missing, a shady load of cash, the whereabouts of the doves, and the fateful encounter from that night... A series of shocking facts are revealed from Tsuda’s stories. Why did the counterfeit money end up in Tsuda’s hands? What is the “ending” that Tsuda wished to portray?

In a seaside town where very little happens, middle school students Keisuke Isobe and Koume Satou live a rather dull life. But when Koume's crush breaks her heart, their situation becomes quite unordinary. She starts a "no-strings-attached" relationship with Keisuke, whom she had previously rejected, both finding solace in the other in order to fill the emotional voids in their lives. However, being "friends with benefits" becomes complicated when real feelings begin to develop, as the consequences of their relationship start to take their toll on those around them and themselves. A Girl on the Shore takes a harsh look at love, relationships, and the emotional price that will be paid as the result of a decision made between two teenagers.

Guided by her grandfather's WWII-era diary, Sora searches for a mysterious trove in the wilderness of her hometown. Meanwhile, a mysterious mute and backward-walking homeless man wanders into town who may be the catalyst to put her shattered relationship with her father back together.

Follows a group of female escorts who are living life as best they can.

Orphan girl Mei is adopted by a wealthy family and receives the ticket out of the orphanage. The girl finds herself with a sister who has arrived at the family under similar circumstances. They bond and become close. Things take a turn for the worse, however, when the family's fortunes take a nosedive allowing the family to keep no more than one of the girls. That means someone has to trod back to the orphanage. Well, neither is volunteering.

Mei lives in an orphanage, but she is adopted by the wealthy and kind Uda family. The family already has an adopted daughter Rana. While Rana seems weird, Mei and Rana find that they have a lot in common and become like real sisters. The girls then learn that the Uda family's business has collapsed and they can only keep one of the daughters. One of the girls will be returned to the orphanage in a week. Revenge is soon planned.

High school junior Hagi (17) quits school and is spending a lot of time at home when his father reveals that he has another house with a mistress. His father wants to end the relationship and asks Hagi to get the woman to move out. Hagi gets to know his father's mistress, and grows up in the process-

Born in a small town in Japan, a young girl named Ai is sent to a cult commune by her religious maniac mother and lives there for seven long years. After the cult is exposed by the police, Ai starts a new stage of life, going to a normal school for the first time, but she can’t find her place to fit in there. Ai drops out from the school and society, spending her life living with a rock-bottom delinquent family full of gangsters and call girls. In a strange twist of fate she finds herself back in a new and normal life, living with a middle-class family, but her troubled life continues to follow her into more deep and seedy paths.

Mai (Rika Adachi) is a high school student. She attends a new school and there she meets her classmate Shino (Manami Enosawa). Shino was bullied by Mai's friends back in their middle school days. Table have now turned.