Sarah-Jane Sauvegrain

In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.

The portrait of the last cowboy Hollywood legend dives into the 65 years of an extraordinary career in Hollywood, highlighted iconic films like The Good, the Bad and the Ugly, as well as Million Dollar Baby, Mystic River and Gran Torino all the way to Cry Macho in 2021. It is no small task to cover more than 60 years of cinema history, especially when it is trying to surveyed with such breadth and diversity: TV star, international star, controversial icon, contested director, filmmaker with a capital F, Eastwood has been through it all, experienced it all, and it is first of all this romantic trajectory, this true American pastoral that the documentary wants to tell with all the passion it possibly can.

At the age of 14, Chrissie Hynde receives a gift that will change the course of her life: a ukulele. But she immediately swapped it for a guitar, a fetish more likely to open the way to a world as dangerous as attractive, rock. From then on, starting a band is the only possible horizon for the young woman, an obsession which does not suffer any competition. Her wish came true in 1978, at the age of 27, when the American founded the Pretenders, in osmosis with three Englishmen who quickly proved to be excellent instrumentalists. Immediate success: in an England shaken by the punk explosion, the quartet composes a melodic and racy rock with heady refrains.

Brad Pitt is a singular actor in Hollywood's glamorous world, breaking through his "playboy image" and embodying American cinema's renewal. At the beginning there was a humble Midwestern aware of being a smokescreen for the illusions of his time, who has managed to keep control of his image to better serve the most talented directors of our time. To name but a few: David Fincher, Quentin Tarantino, the Coen brothers, Terrence Malick, James Gray and soon Damien Chazelle. This documentary dives into the brain of a complex, brilliant and endearing personality, far from the cliché of a world-famous movie icon to discover the hidden side of the most handsome man in the world.

As soon as he came to power in 2012, Xi Jinping clearly stated his ambition for a national renaissance. He will combine this with the construction of a powerful army and a certain vision of Chinese territory, which includes the reunification of Taiwan. In this quest, control of the oceans has become a crucial issue, and America an obstacle. In the South China Sea and the Pacific, the Chinese Communist Party has been pursuing a strategy to undermine American influence for the past decade. Relying on the active participation of maritime militias - fishermen trained by the military - China is creating a grey area between war and peace that destabilizes both its neighbors and the world's leading military power.

Between the South Bronx and (New) Hollywood, a portrait of Al Pacino, passionate about theatre and mythical actor of The Godfather and Scarface, who has never stopped battling with his demons.

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

В перестраиваемой квартире в Гавре найден замурованный в стене мумифицированный труп. Капитан полиции Ариан Саллес ведет расследование вместе с коллегой Гаспаром Лесажем и судмедэкспертом Ришаром Валетти, ее отцом, с которым она не виделась 20 лет. Первые улики, похоже, связывают дело с давним преступлением: исчезновением дочери богатой пары...

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

Волчонок Лулу и кролик Том дружат с самого детства. Однажды Лулу узнает, что зря считал себя сиротой — его мама живет в далекой Стране волков. Друзья отправляются в путь, где их ждет множество испытаний. Удастся ли сохранить дружбу, несмотря на трудности, найти маму Лулу и приоткрыть завесу тайны его рождения?

Pam is twenty. She and her girlfriends hang out together on the couch at The Ranch, the apartment she shares with Manon. Sitting around chatting, drinking, smoking, and dancing are part of life at their age, but there comes a time when you need to cut loose from the group and go your own way...