Ladislav Kolda

Grammar school teacher Bláha hurts himself in pursuit of a red lizard, and is lying unconscious in the lonely house of Santrucek family. The postman, who found Bláha's coat and hat in the water, announces to everyone in town that the professor has drowned. But, the venerable citizens are at that moment more interested in the theatre group with the beautiful guest actress Eva Gazdová. They demand a change of repertoire and manage to persuade the theatre manager to have the group play the musical comedy The Red Lizard instead of an established play.

Christmas has arrived. As a little girl and her parents enter the room, the little girl finds all kinds of toys under the Christmas Tree. She immediately throws her old doll aside and starts playing with her new dolls. But that night she has a dream. Or maybe it isn't a dream?

Ferda Mravenec (Ferda The Ant, 1944 ) runs over ten minutes, telling the tale of an ant colony versus a spider. This one is teeming with characters, with impressive animation, fun gags, and a good story.

A man and a woman meet on the streetcar. Six years ago, they were close . . .

A 13-minute documentary film depicting life in Prague.

A 13-minute documentary film depicting life in Prague.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

A documentary of peasant life in an isolated village in the Carpathian Mountains of Slovakia, starting in early spring and ending after the harvest.

A documentary of peasant life in an isolated village in the Carpathian Mountains of Slovakia, starting in early spring and ending after the harvest.

Anton Špelec (Vlasta Burin) is a producer of musical instruments by trade but a sharp-shooter at heart. He expects to be awarded a medal at a large parade in town where veteran sharp-shooters will be honored. When the town council is one medal short, Anton must wait another year for his prized possession. He drowns his disappointment in drink at the local pub and becomes so drunk that he insults the emperor who sentences him to jail. Instead of fulfilling the emperor’s orders himself, Anton sends his employee in his stead.

The owner of the ready-to-wear store, Mr. Richard Naceradec from Zizkov, is an enthusiastic fan of S.K. Slavia and despite his wife's opposition, he goes to football every Sunday. Tailor Emanuel Habásko lives alone with his adult son Eman. Widow Ouholicková chases Krejcí endlessly, but father Habásko bravely resists. Habásko do not recognize any other club except S.K. Viktoria. One day, Naceradec will face Eman at the match between Slavia and Viktoria.

The owner of the ready-to-wear store, Mr. Richard Naceradec from Zizkov, is an enthusiastic fan of S.K. Slavia and despite his wife's opposition, he goes to football every Sunday. Tailor Emanuel Habásko lives alone with his adult son Eman. Widow Ouholicková chases Krejcí endlessly, but father Habásko bravely resists. Habásko do not recognize any other club except S.K. Viktoria. One day, Naceradec will face Eman at the match between Slavia and Viktoria.