Mikio Yamazaki
Рождение : 1959-09-16, Tachikawa, Tokyo, Japan
История
Born in Tokyo in 1959. Began playing around with an 8mm camera in middle school. Won the Fuji 8mm Film Contest with The Happy Days of M ( " M-kun no shiawasena hibi " ) which he made while studying cultural anthropology at Hokkaido University. Has directed over fifty films including Memory of Seaside (1982), Ghosttown at Dawn (1983), Guiding Star (1987), The Cat Night (1992), Pu (1994). Publications include A Contextual Analysis of Canned Coffee and The Whereabouts of a Hero.
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One day, middle-aged man Estan meets Nui, a woman who has lived for 20,000 years. The mysterious journey of Nui and Estan begins, using arrowheads to collect the emotions of humans in the past.
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A short film made as a prologue part of "Deep Sweets Senior".
This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema. Blending two genres, the science film and the personal film, and benefiting from the participation of multiple generations of cineastes, it is a reflection upon the original cinematic experience.
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As part of the street observation work, I was working on collecting and arranging the number of the beast 666 in the city. Then, I realized that it was boring and decided to return to the drama for the first time in a while. Chepki, a woman who investigates the lot number where 6s are lined up, and Lucani, a middle-aged cosplay fetish man who is a driver while questioning the certainty of her head. The strange behavior and behavior of the woman finally leaves the woman behind in the river. At the base of the motif is Ferrini's "Michi".
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This is the DVD version of the video event held at Loft Plus One in Shinjuku on September 10th, supervised by Chiaki Konaka. 5 presenters gathered with "truly scary films" they had discovered. The DVD includes "Home Movie", "Honeymoon", "Blue Film", "Psychic", "Telekinesis Experiment" and "Reverberation".
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This is an 8mm film shot and edited from 1996 to 1999. There is no story development like a normal story movie, and the image of only the author = the hero like a diary movie continues. There are no lines. The heroine-like existence is a dingy female stray cat. Still, I tried to brew and elaborate how to make a movie time of about one hour, like walking a tightrope, but over a long period of time. As a reference motif, there is Isao Yamada's early work "Yomado". The title "Gootariputra" is not a word with a specific meaning, but is just a coined word of Lazy way of life.
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A 3-Part Series for the imaginary girl’s magazine Monthly Ophelia unveils the literary worlds of three female writers born in 1896. The Ophelia of legend who loses her life along the riverside is reborn and lives deep underwater. Reminisce about girlhood and lose your way in favourite books that transcend time.
Screenplay
A wanderer and his son arrive on an obscure northern island of Japan, causing the village of Pu to fall into disarray.
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A wanderer and his son arrive on an obscure northern island of Japan, causing the village of Pu to fall into disarray.
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In April 1985, I started to make a film with my friend Kamioka as the main character. But even after three months, the whole film was still unknown. I started to work alone with the camera. One day, the rabbit he keeps at home gives birth to a stillborn baby. As he buries her under a tree in the garden, it made me think of his father, who died the year before. He is no longer with us, but only the gaze he left behind. And so I set off on a journey. In a town in the Hokuriku region, he met a woman who once appeared in one of his films. When I dozed off on the train to Tokyo, she appeared to me in a dream and tells me that I will soon find the exit. Back in Tokyo, I told Kamioka that I'm going to start filming again. I came back into the room, turned on the microphone and pressed the flame against the lens.
Director
In April 1985, I started to make a film with my friend Kamioka as the main character. But even after three months, the whole film was still unknown. I started to work alone with the camera. One day, the rabbit he keeps at home gives birth to a stillborn baby. As he buries her under a tree in the garden, it made me think of his father, who died the year before. He is no longer with us, but only the gaze he left behind. And so I set off on a journey. In a town in the Hokuriku region, he met a woman who once appeared in one of his films. When I dozed off on the train to Tokyo, she appeared to me in a dream and tells me that I will soon find the exit. Back in Tokyo, I told Kamioka that I'm going to start filming again. I came back into the room, turned on the microphone and pressed the flame against the lens.
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Screenplay
Kumi lives a hippie-like life in Tokyo's outskirts. One night while drunk she stumbles into an abandoned industrial site, except in addition to deserted factories, it is full of forests and greenery. She decides to move there, even further away from the civilization she had already left.
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8mm work from the 6th Pia Film Festival.