Masato Obara

Fujiko Mine, the devastating femme fatale whose only loyalty is to her desire, befriends a young boy whose late father hid away a fortune. A killer is on the boy's trail and it's up to Fujiko to stop him: but where do her interests really lie? Fujiko faces her greatest enemy in this twist filled followup to "Jigen's Gravestone" and "Goemon's Blood Spray."

The search for Sana’s comrades continues. Sara who opens up her heart to Sinbad reveals her horrible story of how her father’s apprentice Galip destroyed the peaceful kingdom and her family by using the wizardly power. Suddenly the Magic Lamp shows the passage “to the Wonder Gate to the land of ancestors that appears in the Night at High Noon,” but Galip’s solders block their path.

In 1897, actor, director, producer and theatre company leader Kawakami Otojiro set off on a tour of the USA with his wife Sadayakko and theatre company members, but in a foreign country where he could not speak the language, he had to struggle against a succession of adversities, including lawyers absconding with the proceeds and actors going on strike. One day, however, Otojiro arrives in Boston on his arduous tour and sees a packed house for a performance of The Merchant of Venice by the famous British actor Henry Irving. In just one night of rehearsals, they concoct a Japanese version of The Merchant of Venice, and perform the play to a foreign audience with bullshit dialogue and a reckless performance that can be cut short by "Sucharaka poko poko" when they get stuck on a word.