Nicoletta

Nicoletta

Рождение : 1944-04-11, Vongy [now Thonon-les-Bains], Haute-Savoie, France

История

Nicoletta Grisoni, longer name Nicole Fernande Grisoni-Chappuis, better known by her mononym Nicoletta (born 11 April 1944 in Vongy, now known as Thonon-les-Bains, Haute-Savoie, France) is a French pop singer. Becoming very popular on French radio and television, where she had a number of hits in the 1960s and the 1970s, she was considered as part of what is known as the French yé-yé generation heavily influenced by American music, particularly Rhythm and blues, Rock and roll and Beat music. She is mostly known for her version of "Mamy Blue". Nicoletta Grisoni was reportedly born of a mentally retarded woman who got pregnant as a result of rape. She reportedly chose the song "Mamy Blue" as a tribute to her mother. The original of the song was that of Spanish band Los Pop-Tops and had been subject of many interpretations. She began her music as a member of her local church choir. She worked for a while in a laundry and at a medical clinic in addition to DJ-ing in the beginning 1960s developing contacts. Encouraged by French songwriter Léo Missir, she was signed to Barclay. Her initial hits included "L'Homme à la moto" (an earlier Edith Piaf song), "Pour oublier qu'on s'est aimé" (from Nino Ferrer, and "Encore un jour sans toi" (co-written by Guy Marchand and Léo Missir). 1967 saw the release of "La Musique" (adaptation from Ann Grégory), and "Il est mort le soleil", written by Pierre Delanoë and music by Hubert Giraud. The song was adapted and interpreted later on by Ray Charles under the title "The Sun Died", also covered by Tom Jones. As activist, she campaigned against play-back music insisting to sing live in her appearances on television. She also supported the French general strike in May 1968, singing in its support. In 1971, she recorded a French version of "Mamy Blue", a gospel song composed by Hubert Giraud with massive success. It was a hit in many countries outside France as well. In 1973, she founded her own record label, "Rapa Nui", for producing and launching new talents. The same year she released "Fio Maravilla", another big hit for her. The origin was a Brazilian hit from Jorge Ben Jor about soccer player Fio Maravilha, adapted to French by lyricist Boris Bergman. In 1976, her French version of The Battle Hymn of the Republic, titled "Glory Alleluia" with new French lyrics and arrangement by André Pascal, became a Christmas hit. After a hiatus because of her marriage and bearing a child, she returned to music in 1983 with "Idées noires", as a duo with Bernard Lavilliers. In 1987, she took part in the opera Grandeur et décadence de la ville de Mahagonny (a French version of Rise and Fall of the City of Mahagonny by Kurt Weill and Bertolt Brecht), playing the role of Jenny in the opera. The same year, she also took role of Esméralda in the musical comedy Quasimodo based on Victor Hugo's The Hunchback of Notre-Dame composed by William Sheller. In the beginning of the 1990s, she suffered great financial problems despite releasing quality interpretations with collaborations from William Sheller, Richard Cocciante, Pierre Delanoë and taking part in galas. ... Source: Article "Nicoletta (singer)" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Профиль

Nicoletta

Фильмы

La TV des 70's : Quand Giscard était président
Self (archive footage)
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
Patrick Juvet : À cœur ouvert
Self
Chroniques de l'âge tendre
Self
This document proposes an immersion in the French society of the 60s and 70s and in the youth of the time with the testimonies and confidences of Sheila, Salvatore Adamo, Antoine, Hervé Vilard, Michel Fugain, Nicoletta, Michel Jonasz, Laurent Voulzy and the photographer Tony Frank. They tell with hindsight and humor, their beginnings in the 60s and 70s, and before becoming idols. It is also an opportunity to leaf through the pages of the successful magazines of the time "Salut les copains" and "Mademoiselle Age tendre". Created by Daniel Filipacchi, they highlighted the idols of the moment, music, fashion, sexuality, consumer objects and questions about society.
Aznavour by Charles
Self - Singer (archive footage)
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Shadows of the Past
Jeanne Leblanc
Vincent witnesses a deadly accident which rekindles a terrible event from his past.
One Way Ticket
Rose
After a bank robbery gone wrong, a crook goes on the run across Belgium to escape the police, clear himself of a crime that he did not commit, and protect his girlfriend from a shady lawyer.