Guillaume Valeix

95-96, year of high school. Only 17 years old, Zahia Ziouni becomes aware that her dream of becoming a conductor and her ambition to make symphonic music accessible to all and in all territories, will go through the creation of an orchestra unique in its diversitý and composition. Helped by her twin sister Fettouma, a cellist, and while she was about to conduct her very first concert, she created the Divertimento orchestra. The latter still exists and, at 44 years old, Zahia is now a conductor recognized worldwide.

Jean-Luc Godard is cinema, its quintessence. Just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself. He is a public figure as much as a man shrouded in mystery. Everything and its opposite, he has taken all possible paths. It is not easy to seize such a legendary, enigmatic giant. Godard’s itinerary follows one direction only: a constant renewal of his art. He sees the creative act as a necessary act of criticism and deconstruction.” I always start from the negative. I am a positive man who starts from the negative”. The artist reinvents himself tirelessly, and inevitably destroys himself. This portrait wants to take us beyond the clichés of a myth that has sometimes become caricatural, to meet a man more sentimental than it seems, a man inhabited, sometimes surpassed, by his art. Because yes, Godard is human. Not just a machine who thinks and creates images.

Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.

Антуанетта, учительница начальных классов, с нетерпением ждала выходных, чтобы провести их со своим любовником, отцом одного из учеников. Но вот незадача. У любовника оказалась жена, которая решила отправиться в путешествие по югу Франции как раз в эти дни. Отвергнутая девушка не сдается и следует за ними. Компанию ей составил ослик Патрик, который оказался мудрее и благородней некоторых мужчин.

Despite its Afro-American origins, the history of disco music, the soundtrack of the seventies, would be inconceivable without a handful of legendary European music producers who conjured up some of the biggest world-wide hits in the anonymity of their studios.

The Smurfs were created in 1958 by the Belgian comic author Peyo (Pierre Culliford, 1928-1992) and they are one of Belgium's most recognized exports. From Brussels to Los Angeles, via Dubai, a journey into the tiny world of the famous little blue people, from the story of the creation of the original comic to the account of their huge global commercial exploitation.

Journey of an african migrant through Europe.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

While France is on strike, Jean, a Parisian bookseller, opens his shop. A former trade unionist, he has in fact decided not to take part in the movement. However, a phone call from his friend René awakens his enthusiasm.