Miguel Flor De Lima

A boy escaped from home, listening, crouched in the depths of his hiding place, the cries of the men who seek him. When the game passes, what remains before him is an infinite and arid plain that he must cross if he wants to get away definitively from what has made him flee. His steps will intersect with those of a pastor and, from that moment, nothing will be the same for either of them.

Лиссабон, 1933 год. Во время репетиции новой постановки в театре, в парке Майера, есть все: безответная любовь, маленькие личные драмы и постоянная борьба с цензурой и умная попытка обойти её. Но, прежде всего, Парк Майер скрывает тайны, способные разрушить сложившийся образ жизни, в то время, как новое государство начинает ужесточать свой режим, и свобода становится все более ограниченной.

Thirty-five Portuguese dancers undress in front of the camera. They become the object of desire with a sensual provocative performance. Eclectic dance disciplines help this film to explore an exhibitionist view of the male nude. This is a statement about the current financial situation in Portugal and the lack of fundings to support artistic initiatives.