Director
A garden symphony of sorts, a tribute to the light and beauty, and an effort to reconcile with death.
Director
"Oh Christmas Tree" dives into the disposable fate of one of society's principal symbols of joy and unity, the beloved Christmas Tree.
Additional Camera
Congresswoman Jackie Speier explains her approach to protecting victims of sexual assault within the military. Her goal is to take prosecuting powers out of the inner ranks and put it into the hands of properly trained detectives.
Cinematography
Maria Zoe Dunning is a U.S. Naval Academy graduate and gay rights activist. She is known for being the only openly gay person remaining on active duty following a series of lawsuits against the U.S. Military and the Don't Ask, Don't Tell policy during the 1990s. This is her story.
Editor
Maria Zoe Dunning is a U.S. Naval Academy graduate and gay rights activist. She is known for being the only openly gay person remaining on active duty following a series of lawsuits against the U.S. Military and the Don't Ask, Don't Tell policy during the 1990s. This is her story.
Director
Maria Zoe Dunning is a U.S. Naval Academy graduate and gay rights activist. She is known for being the only openly gay person remaining on active duty following a series of lawsuits against the U.S. Military and the Don't Ask, Don't Tell policy during the 1990s. This is her story.
Cinematography
Scott Castle served in the U.S. Marine Corps for four years. While assigned to 1st Battalion, 5th Marines, 1st Marine Division he served three combat tours in Iraq, including the First and Second Battles of Fallujah.
Editor
Scott Castle served in the U.S. Marine Corps for four years. While assigned to 1st Battalion, 5th Marines, 1st Marine Division he served three combat tours in Iraq, including the First and Second Battles of Fallujah.
Director
Scott Castle served in the U.S. Marine Corps for four years. While assigned to 1st Battalion, 5th Marines, 1st Marine Division he served three combat tours in Iraq, including the First and Second Battles of Fallujah.
Cinematography
Bobby served in the United States Army for 10 years in a CID unit. During that time, he was deployed once to Iraq in September 2006, where he developed PTSD.
Editor
Bobby served in the United States Army for 10 years in a CID unit. During that time, he was deployed once to Iraq in September 2006, where he developed PTSD.
Director
Bobby served in the United States Army for 10 years in a CID unit. During that time, he was deployed once to Iraq in September 2006, where he developed PTSD.
Cinematography
Julie Mendez served in the Iraq War. Finding herself on convoys engaging insurgents, she came to question the reason why so many Iraqi found the Americans as invaders rather than liberators. She turned to art to recover from her experiences.
Editor
Julie Mendez served in the Iraq War. Finding herself on convoys engaging insurgents, she came to question the reason why so many Iraqi found the Americans as invaders rather than liberators. She turned to art to recover from her experiences.
Director
Julie Mendez served in the Iraq War. Finding herself on convoys engaging insurgents, she came to question the reason why so many Iraqi found the Americans as invaders rather than liberators. She turned to art to recover from her experiences.
Director
A poetic documentary that calls attention to beauty found in the details of the anachronistic and declining, and suggests that this particular variety of melancholy beauty is born of a withdrawal from the world's forward push. The protagonist of the film is a large 80-year-old food manufacturing/co-packing factory in San Francisco.
Director
The Little Pianist explores the life of a frog marionette that plays piano on the streets of Barcelona. What qualities does a marionette possess to make its audience forget – albeit fleetingly – this frenetic modern-day life? To take them back through their memories and recall their dreams? In this documentary, almost narrated by the frog’s creator, the presence of the marionette predominates, making the puppeteer virtually invisible.