После развода родителей брат с сестрой и их отец отцом перебираются в дом дедушки. Вскоре после ссоры с мужем к ним переезжает ещё и их тётя. Ситуация вынуждает ребят принимать непростые решения.
После развода родителей брат с сестрой и их отец отцом перебираются в дом дедушки. Вскоре после ссоры с мужем к ним переезжает ещё и их тётя. Ситуация вынуждает ребят принимать непростые решения.
После развода родителей брат с сестрой и их отец отцом перебираются в дом дедушки. Вскоре после ссоры с мужем к ним переезжает ещё и их тётя. Ситуация вынуждает ребят принимать непростые решения.
The younger brother, who likes fish, entrusts Yong-hee with the pocket money he has saved and asks him to buy him some fish.
Yong-hui spends the money playing with his friends, who swear they can save fish, but as time goes on, he seems less interested in saving fish. The younger brother keeps looking for fish, and Yong-hee feels uncomfortable. In the end, Yong-hee and his friends go looking for fish. However, instead of the fish, he finds a burnt hideout.
Hae-gap is a director who makes anti-government documentary films. One day, Hae-gap’s son, Na-ra, runs away from home, but Man-deok, a freeloader living in Hae-gap’s house ends up bringing him back. Later, Man-deok raids the head developer of Deul Island to stop its exploitation, and Na-ra helps and ends up getting caught. In order to bring Na-ra out from jail, Hae-gap signs to stop making anti-government films and moves to Deul Island with his family. Na-ra sees his father leading a good, quiet life there and starts opening up. But when a construction company charges in to clear-out the island and the islanders fall at risk of losing their homes, Hae-gap leads a strike against it and his family fall in grave danger...
