Editor
It's being called the breakup album of the year. Running late to a studio livestream, Jamie gets a voice note from his ex - the first communication they've had in months. She's heard the album. She has some thoughts.
Producer
It's being called the breakup album of the year. Running late to a studio livestream, Jamie gets a voice note from his ex - the first communication they've had in months. She's heard the album. She has some thoughts.
Writer
It's being called the breakup album of the year. Running late to a studio livestream, Jamie gets a voice note from his ex - the first communication they've had in months. She's heard the album. She has some thoughts.
Director
It's being called the breakup album of the year. Running late to a studio livestream, Jamie gets a voice note from his ex - the first communication they've had in months. She's heard the album. She has some thoughts.
Director
It’s the height of lockdown, and Beth has asked her older sisters for a video call. She’s expecting a functional chat about how to split mum’s shopping bill, but the conversation takes a darker turn. A hyperrealistic family drama devised remotely through improvisation.
Director
It’s a family affair, and Rory is on familiar ground. He knows each burly man who comes in for a mid-dance piss break, and his dad is playing the fiddle in the band. But Dan, his visiting boyfriend, couldn’t be further out of place – and there’s something Rory hasn’t told him. Once Rory manages to coax him out the cubicle, previously unaddressed questions over masculinity and communication are brought to the fore and their conversation unfurls into a flaming row, paused at regular intervals by urinating family friends, and incongruously underscored throughout by the rising ceilidh music coming through the wall.
