Jung an Tagen

Emergence Collapse, the collaborative project of Berlin-based artist and filmmaker Rainer Kohlberger and Viennese electronic music producer Jung An Tagen is nearly beyond description (and perception): An assault on the senses that is at once euphoric and harrowing, at once completely alien and uncannily evocative, their work is perhaps the perfect artistic manifestation of existential angst. Jung An Tagens frighteningly frenetic and earsplitting dissonance is complimented perfectly by Rainer Kohlbergers constantly evolving, neon-tinged visual freak-out. The result is relentless and painfully overwhelming, but like a horror movie, Emergence Collapse demands – and ultimately rewards – your attention.

RBB invited 30 film makers to create works in their own 4 walls while in lockdown due to the impact of Corona virus. Each one is 120 seconds long. Here is my contribution ›deviation‹ with sound by Jung an Tagen.

The stereoscopic video DYAD is based on software especially written for this project. It is a specialized program that renders individual sounds synchronously visible in the form of a three-dimensional matrix. These animated 3D objects are subsequently translated back into digital sounds.

Black Rain White Scars depicts a twilight of reality. With the steady shot of a Gotham-like cityscape, Lukas Marxt guides us between vestiges of visionary architecture and narrow planted apartment buildings. As we’re searching for our relational point within it, the overwhelming murmuring of the human, car, and boat traffic, at the same time marginalises our position. We are a part of the scenery, though secluded and apart from it.