Hudson Vasconcelos

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

Madalena is Sônia's mother, who is Julia's mother, who is Camila's mother. A family of women so different, yet trapped by events and tragedies so interconnected. Closely related, distant due to fatality. A story where reality invades fiction.

The first transgender in the brazilian army, Maria Luiza's story begins in Ceres (Goiás, Brazil), where she was born in July 20, 1960 - the same day we celebrate Santos Dummont's birthday, patron of the Brazilian Aviation. Since she was a child, she didn't consider herself as a boy. During puberty, she went through a vocal cord scraping process and a hormonal treatment to become manlier. Depressed, she dropped out of school. At 18 she enlisted in the Air Force, and being completely in love with airplanes, she saw an opportunity there. She was drafted into the military in 1979. It marked the beginning of 22 years of service as a military aircraft mechanic in Brasilia.

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

11-year-old Lucas finds a philosophy book by Nietzsche in the city dump, discarded by its previous owner. This improbable meeting will be the beginning of a violent revolution in his mind, within his family and within society. In the end, Lucas will be no longer a boy -- He will be dynamite.