Baba Vanga

А film about the world-famous prophetess Vanga with unique, hitherto unseen shots, in which she is the main character and in which she speaks only, sharing how the gift of seeing into the future overshadowed her, what miracles she witnessed in her long life. Vanga meets the tragic fates of different people, to whom she inspires faith and comfort. At the same time, with her own funds, she built the church "St. Petka" in Rupite, painted by the artist Svetlin Russev. The film was shot for years until the last days of the prophetess, leaving it to mature in the minds of the authors and is dramatically meaningful with the attitude towards it and with today's view of the presented events.

A portrait of Baba Vanga, born Vangeliya Pandeva Dimitrova, a blind Bulgarian prophet, mystic, clairvoyant, and herbalist. Millions of people believed she possessed paranormal abilities.The first part of the documentary portrait of the prophet Baba Vanga not only as a mysterious supernatural figure, but as a living and immediate person. The second part follows the discussion between prominent Bulgarian scientists and intellectuals who, with few exceptions, completely reject Vanga's abilities and advise the film to be reworked with a view to a materialistic understanding of man. The two parts contrast Vanga, the crowds of visitors to her home and the stiffened way of thinking of the representatives of science in Bulgaria in those years. Forbidden to the general public after its first screening.

A portrait of Baba Vanga, born Vangeliya Pandeva Dimitrova, a blind Bulgarian prophet, mystic, clairvoyant, and herbalist. Millions of people believed she possessed paranormal abilities.The first part of the documentary portrait of the prophet Baba Vanga not only as a mysterious supernatural figure, but as a living and immediate person. The second part follows the discussion between prominent Bulgarian scientists and intellectuals who, with few exceptions, completely reject Vanga's abilities and advise the film to be reworked with a view to a materialistic understanding of man. The two parts contrast Vanga, the crowds of visitors to her home and the stiffened way of thinking of the representatives of science in Bulgaria in those years. Forbidden to the general public after its first screening.