Charles Lewis
Рождение : 1899-05-24, Kansas, USA
Смерть : 1983-12-26
Production Manager
Во время путешествия по Южным Морям на борту парусной яхты, заключается пари, о том, что Стив не сможет выжить на пустынном острове без принадлежностей цивилизации. Приняв пари, Стив со своей собакой приплывают на берег и начинают воссоздавать свой мир Парк Авеню, в виде различных приспособлений а-ля Руби Голдберг, сделанных из местных материалов. В это же время на соседнем острове, молодая девушка убегает со своей договорной свадьбы. Она приплывает на остров Стива за безопасностью, после чего ей дают прозвище «Суббота». Вскоре их атакуют мстительные соплеменники с соседнего острова. Выживут ли Стив и Суббота?
Production Manager
With the advent of sound, the world's leading screen idol, Douglas Fairbanks, experienced a downturn in his fortunes. His thin, reedy voice was not suited to the talkies, his marriage to Mary Pickford was on the outs, and his son, Douglas Fairbanks, Jr., had replaced him as a major box-office draw. Faced with the Hollywood equivalent of a mid-life crisis, Doug called up three of his best friends - director Victor Fleming, cinematographer Henry Sharp, and production manager Charles Lewis - and took them on a six-month tour of Asia, ostensibly to shoot a travelogue for United Artists (of which Fairbanks was still a major shareholder.) Their first stop is Honolulu, followed in quick succession by Japan, China, Peking, Hong Kong, Indochina, the Philippines, Siam, and India. Fairbanks and company spend time at such noteworthy spots as the Taj Mahal, Angkor Wat, the Summer Palace and the Sun Yat-Sen Mausoleum.
Self
With the advent of sound, the world's leading screen idol, Douglas Fairbanks, experienced a downturn in his fortunes. His thin, reedy voice was not suited to the talkies, his marriage to Mary Pickford was on the outs, and his son, Douglas Fairbanks, Jr., had replaced him as a major box-office draw. Faced with the Hollywood equivalent of a mid-life crisis, Doug called up three of his best friends - director Victor Fleming, cinematographer Henry Sharp, and production manager Charles Lewis - and took them on a six-month tour of Asia, ostensibly to shoot a travelogue for United Artists (of which Fairbanks was still a major shareholder.) Their first stop is Honolulu, followed in quick succession by Japan, China, Peking, Hong Kong, Indochina, the Philippines, Siam, and India. Fairbanks and company spend time at such noteworthy spots as the Taj Mahal, Angkor Wat, the Summer Palace and the Sun Yat-Sen Mausoleum.