Choreographer
Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
Choreographer
Дэвид Бирн и Спайк Ли с духоподъемным мюзиклом о современности — своего рода сиквелом лучшего фильма-концерта на свете.
Choreographer
Set against video material of dancers in six-foot proximities, Parson reads from a diaristic meditation on the spatial protocols that have been set for us in our new world of Covid-19 behaviors.
Writer
Set against video material of dancers in six-foot proximities, Parson reads from a diaristic meditation on the spatial protocols that have been set for us in our new world of Covid-19 behaviors.
Director
Set against video material of dancers in six-foot proximities, Parson reads from a diaristic meditation on the spatial protocols that have been set for us in our new world of Covid-19 behaviors.
Choreographer
Inspired by the book, The Man Who Fell To Earth, Lazarus focuses on Thomas Newton, as he remains still on Earth - a 'man' unable to die, his head soaked in cheap gin and haunted by a past love. We follow Newton during the course of a few days where the arrival of another lost soul - might set him finally free.
