Luc-Jérôme Bailleul

A night doctor walks through a village invaded by the Wohlfahrtia Magnifica fly. Indoor and outdoor, winter tourist activities in Bessans rub shoulders with the rurality of local residents.

A deadly accident involving a self-driving car and a pedestrian sets in motion a series of questions and concerns about the role of human vehicle operators in the training of autonomous automobiles.

The piece, an experiment that begins on the skin, in the skins of a family that spoke in silence about a tropical dictatorship in the 1980s, the dictatorship of a house. The skins whispered silently and their voices were heard in the corners, on the walls, in the cooking pot, on the soupspoon, on the wet beans. As the soldiers marched in the streets, the echo of their footsteps resonated in the walls of the home of a military man’s family, a house where the words were forgotten. With few oral resources, some photographs and some stolen confessions, the director proposes an exploration that goes from the personal to the political through a fictionalized experience of the family story related to the dictatorship of Panama.

Yollotl connects the past and the present through a love story inspired by Mesoamerican mythology and testimonials from children who live in the Mayan rainforest. A story in Nahuatl and a ritual song accompanies the journey through the interior of ancient trees to the universe.

Images of crowd simulation are faced with testimonies from Liverpool Football Club’s supporters who recall their experience marked by a tragic event: the Hillsborough stadium disaster in 1989, which changed the nature of the game of football.

Онлайн-игроки описывают свою борьбу с «взмахом», опасным для жизни явлением кибер-домогательства, которое нависает над ними, когда они играют. События формируются через видео YouTube и каркасные изображения из видеоигры.

“What were you doing last year, when I took this photo from a train passing by your house?”