Writer
When a chinese merchant brings to a neighbourhood of Luanda a peculiar holy plastic figure of Our Lady, a mourning mother will seek peace, a committed barber starts a new cult and a stray kid will look for revenge for his lost friend.
Director
When a chinese merchant brings to a neighbourhood of Luanda a peculiar holy plastic figure of Our Lady, a mourning mother will seek peace, a committed barber starts a new cult and a stray kid will look for revenge for his lost friend.
Director of Photography
The Angolan Civil War still casts its shadow across the life of a young widow. The camera wanders through the rooms in her house, recording everyday objects and activities, while she describes how the war entered the family in a poetic monologue.
Focus Puller
В Луанде по загадочному стечению обстоятельств cо зданий начинают падать кондиционеры. Но начальнику охранника Матаседо и горничной Зезиньи плевать на возможную опасность. Они просто хотят вернуть на место свой кондиционер.
Writer
В Луанде по загадочному стечению обстоятельств cо зданий начинают падать кондиционеры. Но начальнику охранника Матаседо и горничной Зезиньи плевать на возможную опасность. Они просто хотят вернуть на место свой кондиционер.
Director of Photography
В Луанде по загадочному стечению обстоятельств cо зданий начинают падать кондиционеры. Но начальнику охранника Матаседо и горничной Зезиньи плевать на возможную опасность. Они просто хотят вернуть на место свой кондиционер.
Cinematography
A being that has only bodily existence, an object used to satisfy needs and desires. On the screen, Lúcia preserves only a distant look that hides screams, fears and explosions. She is always ostracized and silenced by the sexist society that at no time considers her opinion and desires. Lucia is the woman's silent report associated with a role or function without the right to be, to think or to express opinions.
Writer
A being that has only bodily existence, an object used to satisfy needs and desires. On the screen, Lúcia preserves only a distant look that hides screams, fears and explosions. She is always ostracized and silenced by the sexist society that at no time considers her opinion and desires. Lucia is the woman's silent report associated with a role or function without the right to be, to think or to express opinions.
Director
A being that has only bodily existence, an object used to satisfy needs and desires. On the screen, Lúcia preserves only a distant look that hides screams, fears and explosions. She is always ostracized and silenced by the sexist society that at no time considers her opinion and desires. Lucia is the woman's silent report associated with a role or function without the right to be, to think or to express opinions.
Cinematography
Luanda, Angola. The streets are deserted, the buildings empty and no ships leave the harbour. What's left are ghosts and memories. Concrete Affection – Zopo Lady is inspired by journalist Ryszard Kapuściński's descriptions of the last colonial days in Angola in 1976 and the exodus of Portuguese and white Angolans from Luanda.
Director of Photography
Angola's complex history seen through the eyes of a fake taxidermy sable antelope. She takes us on a journey that links colonial ideas from the past with contemporary reality. This short contemplation on the conservation of memory is a brilliant mix between static painted, staged histories, and a physical parade through the streets.
Cinematography
Angola's complex history seen through the eyes of a fake taxidermy sable antelope. She takes us on a journey that links colonial ideas from the past with contemporary reality. This short contemplation on the conservation of memory is a brilliant mix between static painted, staged histories, and a physical parade through the streets.
